7/10
Tyrone Power's and Betty Grable's characters resume a 'can't live with or without 'em' affair when both migrate to early WWII England.
26 March 2015
Warning: Spoilers
A love triangle develops between womanizing American volunteer for the RAF Tim Baker(Tyrone Power), his bomber squadron leader, British aristocrat John Morley(John Sutton), and American nightclub entertainer Carol Brown(Betty Grable). Each of the two suitors have their pluses and minuses, as afar as Carol is concerned. Tim is footloose and impossibly handsome, meaning he has no problem attracting all the women he wants. Carol is his female counterpart in this respect, but acts more restrained when it comes to admitting new men into her life(unexpected for a nightclub entertainer). Morely is a classic gentlemanly British aristocrat, seemingly a tad dull on the surface, with a huge ancient mansion just waiting to be occupied by the right girl. Realistically, a show girl, however beautiful and sexy, would be an unlikely choice for a wife for a man in his position. She would much more likely be his mistress. Given the short mean life expectancy of RAF pilots then(Baker's plane was shot down twice within a short time), unless they quit the service at the end of the film, there was a high probability that neither Baker nor Morley would be alive for very long, especially since the 'Battle of Britain' would soon begin, with high casualty rates for pilots on both sides. Against expected plot formula, originally, the ending had Baker die a hero in the historic Dunkirk evacuation. However, a test screening elicited a strong negative reaction in the audience. Also, since Fox chief Zanuck hoped this film would promote popular sentiment toward a formal entry of the US into the war, it was feared that Baker's death might prove a war morale damper, rather than booster.

The Lockheed-built Hudson light bomber is portrayed as the RAF bomber of the times. Superficially, with its dual tail fins, it looks rather like the then current RAF 2-engine Hampden bomber, as well as the later, much improved, 4- engine Lancaster bomber. However, it was used by the RAF primarily for training, submarine and coastal patrol and reconnaissance. It wouldn't be making bombing raids over Germany, as depicted(Where were the expected German defense fighters?). Also, it wouldn't be flying across the Atlantic, as depicted. Rather, when they reached the Canadian border, they were dissembled(believe it or not), and packed in crates, to be loaded on a ship and reassembled in the UK. Brash former mail pilot Baker decided to ignore this neutrality rule and flew his Hudson across Lake Ontario to Trenton.

As some others have noted, the often clearly faked aerial maneuvers and battles make the film look cheesy.. Fortunately, some shots supplied by the RAF of real British warplanes and battles lend some credibility to the limited aerial segments.

Although clearly very popular with film audiences of the time, I seldom find the characters played by Tyrone Power appealing or especially interesting. In the film, clearly, he had an advantage in his persistent pursuit of the resisting Carol, in past experiences of having her breakdown her defenses periodically. Clearly, she was going to have to accept the fact that Baker wasn't a 'one woman' man, if she was going to accept him back into her life...In contrast, I found Carol(Betty) very appealing, as obviously did many men in those times. Betty did a great acting job and the camera close-ups of her head were great. Also, she was the leader of a couple of brief song and dance performances at the nightclub the fliers frequented. Marriage between the two, as suggested in the final scene? It wouldn't have lasted a month, even if Tim was still alive. If you think Baker's treatment of Carol was chauvinistic, wait until you see his treatment, as a pirate, of Maureen O'Hara's character, in the following year's "The Black Swan"!

Britisher John Sutton plays Power's chief rival for capturing Carol's heart, apparently ending as runner up: a fate he graciously accepts, knowing that he would be fighting an uphill battle all the way, considering that Baker and Carol had a long history of romantic involvement. For some reason, Fox generally chose to cast the gentlemanly, athletic, rather good looking Sutton as 'the other man', often comparatively stuffy. For example, he suffered a similar fate in competition with Victor Mature over Rita Hayworth, the following year, in "My Gal Sal". However, earlier in '41, he was the romantic lead to Gene Tierney, in "Hudson's Bay": my favorite of his roles that I've seen.
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