The beauty of the original 2010 Monsters was its profound statement, Dark Continent satisfies the original naysayer's with action, and not much else.
The initial 2010 film Monsters was a profound parable about humanity and its interactions with one another that used an 'alien invasion' as a mirror for this introspection. It is an independent film I adore and can not recommend enough. Four years later, with seemingly no connection to the original's genius creator Gareth Edwards, Monsters: Dark Continent is released, with absolutely no relation to the 2010 film in both scope or talent.
Though the term 'derivative' does not imply subservience in its definition, quite often it is used as a descriptor for inferiority, and Monsters: Dark Continent warrants the adjective. When I first learned of a sequel to Monsters, I was aghast, for the narrative had been told in its entirety. When I saw the trailer, I was mortified of the bastardization of the beautiful film into Hollywood action drivel.
With the scope of potential from its predecessor being a peak of perfection to the lows of my expectations of pure garbage, Monsters: Dark Continent falls somewhere in the middle but certainly closer to trash. In truth, Dark Continent tries to be like its original in using the alien invasion to be an allegory for the war efforts in the middle east. Unfortunately it feels terribly superficial and contrived.
There is no beauty in the story telling of Dark Continent. The dialogue is poor and voice overs are used constantly to convey the narrative rather than creative artistry. Monsters: Dark Continent is neither philosophical nor intelligent in the manner of its originator. Writer and director Tom Green tries to speak of the war but it is in a very ignorant and uninformed perspective that is neither deep or even unique.
Please check out our website for full reviews of all the recent releases.
The initial 2010 film Monsters was a profound parable about humanity and its interactions with one another that used an 'alien invasion' as a mirror for this introspection. It is an independent film I adore and can not recommend enough. Four years later, with seemingly no connection to the original's genius creator Gareth Edwards, Monsters: Dark Continent is released, with absolutely no relation to the 2010 film in both scope or talent.
Though the term 'derivative' does not imply subservience in its definition, quite often it is used as a descriptor for inferiority, and Monsters: Dark Continent warrants the adjective. When I first learned of a sequel to Monsters, I was aghast, for the narrative had been told in its entirety. When I saw the trailer, I was mortified of the bastardization of the beautiful film into Hollywood action drivel.
With the scope of potential from its predecessor being a peak of perfection to the lows of my expectations of pure garbage, Monsters: Dark Continent falls somewhere in the middle but certainly closer to trash. In truth, Dark Continent tries to be like its original in using the alien invasion to be an allegory for the war efforts in the middle east. Unfortunately it feels terribly superficial and contrived.
There is no beauty in the story telling of Dark Continent. The dialogue is poor and voice overs are used constantly to convey the narrative rather than creative artistry. Monsters: Dark Continent is neither philosophical nor intelligent in the manner of its originator. Writer and director Tom Green tries to speak of the war but it is in a very ignorant and uninformed perspective that is neither deep or even unique.
Please check out our website for full reviews of all the recent releases.