CAUTION: Plot spoilers present.
Freelance photographer Max Oliver is mourning the death of his brother Ric, who was also in the photo business. Soon Max finds his life invaded by a mysterious figure who is searching for some negatives that implicate the local senator John Kane engaged in an illicit tryst with a prostitute. As the psychopath – revealed to be Kane's psycho brother Luther – frames him for murder in an attempt to force him to hand over some negatives, Max finds a roll of film in his late brother's motorbike & upon processing it discovers that the negatives not only implicate John Kane for his affair but Luther for secretly killing the hooker & dumping her body into a dam.
Killer Image was a cheap Canadian B-thriller made in the early 1990s under the tutelage of producer Pierre David's Image Organization production group. The film stars Michael Ironside as a psychopathic killer whose attempts to procure some incriminating evidence of his involvement in some murders comes unstuck when he messes with the brother of one of his victims.
As far as cheap thrillers go, Killer Image is something of a disappointment. The opening scene works well enough although could have needed some exposition in order to let viewers understand what is going on. Afterwards, the film gets stuck with second-rate (& not particularly convincing) thriller mechanics. It is never made clear why Ironside's character murdered the hooker since the senator was planning to marry her & why he is trying to frame the photographer for the murders.
On the acting front, the actors give decent performances. Michael Ironside is at his best as the sharp-suited killer although he finds himself unstuck by the poor writing & poor characterisation of his character. M. Emmet Walsh gives the film what little dignity is deserves as the senator brother.
Freelance photographer Max Oliver is mourning the death of his brother Ric, who was also in the photo business. Soon Max finds his life invaded by a mysterious figure who is searching for some negatives that implicate the local senator John Kane engaged in an illicit tryst with a prostitute. As the psychopath – revealed to be Kane's psycho brother Luther – frames him for murder in an attempt to force him to hand over some negatives, Max finds a roll of film in his late brother's motorbike & upon processing it discovers that the negatives not only implicate John Kane for his affair but Luther for secretly killing the hooker & dumping her body into a dam.
Killer Image was a cheap Canadian B-thriller made in the early 1990s under the tutelage of producer Pierre David's Image Organization production group. The film stars Michael Ironside as a psychopathic killer whose attempts to procure some incriminating evidence of his involvement in some murders comes unstuck when he messes with the brother of one of his victims.
As far as cheap thrillers go, Killer Image is something of a disappointment. The opening scene works well enough although could have needed some exposition in order to let viewers understand what is going on. Afterwards, the film gets stuck with second-rate (& not particularly convincing) thriller mechanics. It is never made clear why Ironside's character murdered the hooker since the senator was planning to marry her & why he is trying to frame the photographer for the murders.
On the acting front, the actors give decent performances. Michael Ironside is at his best as the sharp-suited killer although he finds himself unstuck by the poor writing & poor characterisation of his character. M. Emmet Walsh gives the film what little dignity is deserves as the senator brother.