Watching this film, I thought of that great movie SAFE, in which Julianne Moore plays an upper-class matron whose life takes a strange turn when she develops a sensitivity to various "toxins" all around her. Or is it just in her head? As she retreats farther and farther from the life she once knew, the viewer likewise retreats from making any easy judgments about her. The way we comprehend and navigate the world is a mysterious process, with no easy answers. Boy, what a great movie SAFE was.
I hoped this movie might present a similar complexity and depth. Unfortunately, this neophyte director is no Todd Haynes. And James Franco is certainly no Julianne Moore.
Alternatively, given the "controversial true story" subject matter, the movie might have been loud, polemical, and sensational, a la Oliver Stone. That would at least have been amusing, and sexy, and maybe even thought-provoking.
But it's not like that, either.
Instead, it's just very drab and dull. It's like some dreadfully boring TV movie of the week from the 1970s. The catatonic performances do not help, but what were the actors supposed to do with characters the script does nothing to develop? Supposedly the story is based on real people, but none of these people seem very real. A documentary of the Errol Morris variety would have shown us much, much more about what they all went through. Or a completely fictitious story might have freed the film maker to really delve into the psyches of his subjects. Instead, we are left with a very halfhearted effort to tell a "true" story in such a way that no one will be offended.
Unlike SAFE, this movie plays it much too safe.
I hoped this movie might present a similar complexity and depth. Unfortunately, this neophyte director is no Todd Haynes. And James Franco is certainly no Julianne Moore.
Alternatively, given the "controversial true story" subject matter, the movie might have been loud, polemical, and sensational, a la Oliver Stone. That would at least have been amusing, and sexy, and maybe even thought-provoking.
But it's not like that, either.
Instead, it's just very drab and dull. It's like some dreadfully boring TV movie of the week from the 1970s. The catatonic performances do not help, but what were the actors supposed to do with characters the script does nothing to develop? Supposedly the story is based on real people, but none of these people seem very real. A documentary of the Errol Morris variety would have shown us much, much more about what they all went through. Or a completely fictitious story might have freed the film maker to really delve into the psyches of his subjects. Instead, we are left with a very halfhearted effort to tell a "true" story in such a way that no one will be offended.
Unlike SAFE, this movie plays it much too safe.