This is the Thai answer to all those black magic horror films made in Hong Kong during the 1970s and '80s. The plot is virtually the same, involving a jilted lover and her efforts to punish the man who abandoned her by resorting to black magic (the same plot was used in 1981's BEWITCHED). However, while those films have gone down as gruesome classics of horror cinema, ART OF THE DEVIL is a somewhat lacklustre retelling of the same story.
The problems lie in the technical details. This is a poorly edited film and the director doesn't seem to want to make the events that play out very clear. It's also overlong, with the second half of the movie introducing an unbelievable plot twist as the villainess goes after more innocent folk – this time her lover's ex-wife! It's little more than an excuse for more gruesome deaths but the novelty quickly wears off.
The cast isn't particularly good for a film of this calibre. There's plenty of overacting – especially from the villainess - and little subtlety, aside from the actor playing the investigative reporter. There ARE some good gruesome bits, one involving the old joke with a victim having an evil presence under his skin, and his efforts to cut it out. Of course there are also moments of bad taste, as is the norm for this genre of production. A guy vomits up eels in one unpleasant scene while the nastiest bit involves the rotting corpse of a baby being used in a ritual. Such moments come few and far between however, and this is a case of style over substance. In the end it's a disappointment, feeling like a half-hearted attempt to emulate the classics of old.
The problems lie in the technical details. This is a poorly edited film and the director doesn't seem to want to make the events that play out very clear. It's also overlong, with the second half of the movie introducing an unbelievable plot twist as the villainess goes after more innocent folk – this time her lover's ex-wife! It's little more than an excuse for more gruesome deaths but the novelty quickly wears off.
The cast isn't particularly good for a film of this calibre. There's plenty of overacting – especially from the villainess - and little subtlety, aside from the actor playing the investigative reporter. There ARE some good gruesome bits, one involving the old joke with a victim having an evil presence under his skin, and his efforts to cut it out. Of course there are also moments of bad taste, as is the norm for this genre of production. A guy vomits up eels in one unpleasant scene while the nastiest bit involves the rotting corpse of a baby being used in a ritual. Such moments come few and far between however, and this is a case of style over substance. In the end it's a disappointment, feeling like a half-hearted attempt to emulate the classics of old.