Delete captivates the viewer throughout both episodes, leading to a satisfying finale. Through busy action scenes, car chases, and tense hacking scenes, the series delivers a compelling plot, not too far-fetched for hard sci-fi fans.
The series centres around a young hacker (Daniel) who spends his spare time on "ethical" hacking projects such as hacking phone records for justice; a modern-day digital vigilanti of sorts. In what seems like coincidence, Daniel meets reporter Jesse White, becoming a prime suspect for what the U.S government at first labels a "cyber- terrorism" act due to his limited ties to a notorious ethical hacking group called "Devito" (the modern-day equivalent to "Anonymous"). A frivolous struggle ensues when Daniel and Jesse discover that members of the Devito group are being murdered one by one. Soon after, Daniel and the reporter discover that an AI (artificial intelligence) has been orchestrating the terrorist attacks for which Devito had formerly been accused.
The first episode explores the origins of the AI, Devito, and the government's initial reaction to the AI threat; the second episode captures the government's continued efforts to contain the AI and Daniel, Jesse, and Max Hollis (the detective).
Delete explores engaging ethical questions and political situations which captivate the viewer throughout. Beginning with the "mechanical failure" of the nuclear power plant, we follow the U.S government throughout their political discussions and deliberations on how to act. These political discussions lead up to panicked, rash decisions made by the US government. Delete showcases how, under pressure, or the right circumstances, governments make rash, ungrounded decisions.
Camera work consists largely of close-up perspectives, and appears mostly professional; at times, camera work can appear "jerky" due to some odd angles. Overall, the camera work adds to keep the viewer engaged throughout.
Music is spot-on. The music provides an tense, ambient, "Sci-fi" feel which adds to the tenseness of the film. At times, the music evokes the same "grungy" sound heard in artists like Trent Reznor. The music succeeds in that even though, at times, there is a subtle beat, it only adds to the film, and you tend to not notice it.
Hard sci-fi fans will rejoice in that Delete delivers for the most part when it comes to accuracy; not long ago, Stephen Hawking along with several well-known scholars called for a truce on the "War on Artificial Intelligence", claiming that the war is not 5 or 10 years away, but 2-3 years away. Viewers having some preliminary knowledge on the data gathered by government agencies such as NASA and agencies in the UK specifically, exposed in the revelations of Edward Snowden, a global, will agree that such an omniscient AI is well within the realm of possibility. Even looking to today's cryptocurrencies or new "Web 2.0" platforms such as Ethereum (launched just last week), an AI could very well use a derived implementation of the blockchain technology to collectively exist on every machine (in "clusters"). Decryption scenes are, for the most part, accurate, in that hackers will often attempt various word lists in attempting to crack a password by brute force; decrypting ASCII does not seem realistic, however.
Unfortunately, Delete does contain some technically impossible scenes such as a phone "overcharging" -- this would not be possible unless the phone supported wireless charging, and such charging occurs at speeds close to 10x less than normal charging speeds anyway even with today's technology; more likely, the phone was overclocked and forced to compute some CPU-intensive operations, but even then, the phone would turn off first due to the way motherboards are manufactured -- and a "datalink" in which Daniel supposedly "interfaces" with the AI, and virtually confronts the AI on several occasions. Finally, some short shots of Daniel, Jesse, and Max in their old car don't make sense when the car would obviously not have any cameras within it.
I must digress, though, as most non-hard sci-fi viewers will concede disbelief, and enjoy this masterpiece of sci-fi.
I would highly recommend this short TV series for any sci-fi (and especially hard sci-fi) fan. Overall, the TV series delivers on all counts, and provides an engaging story line which keeps the viewer wondering just what the AI will do next. The story line is clearly well-thought-out, and shows an understanding of the way ubiquitous technology integrates with everyday life, and how many of us rely heavily on its capabilities. Excellent work.
The series centres around a young hacker (Daniel) who spends his spare time on "ethical" hacking projects such as hacking phone records for justice; a modern-day digital vigilanti of sorts. In what seems like coincidence, Daniel meets reporter Jesse White, becoming a prime suspect for what the U.S government at first labels a "cyber- terrorism" act due to his limited ties to a notorious ethical hacking group called "Devito" (the modern-day equivalent to "Anonymous"). A frivolous struggle ensues when Daniel and Jesse discover that members of the Devito group are being murdered one by one. Soon after, Daniel and the reporter discover that an AI (artificial intelligence) has been orchestrating the terrorist attacks for which Devito had formerly been accused.
The first episode explores the origins of the AI, Devito, and the government's initial reaction to the AI threat; the second episode captures the government's continued efforts to contain the AI and Daniel, Jesse, and Max Hollis (the detective).
Delete explores engaging ethical questions and political situations which captivate the viewer throughout. Beginning with the "mechanical failure" of the nuclear power plant, we follow the U.S government throughout their political discussions and deliberations on how to act. These political discussions lead up to panicked, rash decisions made by the US government. Delete showcases how, under pressure, or the right circumstances, governments make rash, ungrounded decisions.
Camera work consists largely of close-up perspectives, and appears mostly professional; at times, camera work can appear "jerky" due to some odd angles. Overall, the camera work adds to keep the viewer engaged throughout.
Music is spot-on. The music provides an tense, ambient, "Sci-fi" feel which adds to the tenseness of the film. At times, the music evokes the same "grungy" sound heard in artists like Trent Reznor. The music succeeds in that even though, at times, there is a subtle beat, it only adds to the film, and you tend to not notice it.
Hard sci-fi fans will rejoice in that Delete delivers for the most part when it comes to accuracy; not long ago, Stephen Hawking along with several well-known scholars called for a truce on the "War on Artificial Intelligence", claiming that the war is not 5 or 10 years away, but 2-3 years away. Viewers having some preliminary knowledge on the data gathered by government agencies such as NASA and agencies in the UK specifically, exposed in the revelations of Edward Snowden, a global, will agree that such an omniscient AI is well within the realm of possibility. Even looking to today's cryptocurrencies or new "Web 2.0" platforms such as Ethereum (launched just last week), an AI could very well use a derived implementation of the blockchain technology to collectively exist on every machine (in "clusters"). Decryption scenes are, for the most part, accurate, in that hackers will often attempt various word lists in attempting to crack a password by brute force; decrypting ASCII does not seem realistic, however.
Unfortunately, Delete does contain some technically impossible scenes such as a phone "overcharging" -- this would not be possible unless the phone supported wireless charging, and such charging occurs at speeds close to 10x less than normal charging speeds anyway even with today's technology; more likely, the phone was overclocked and forced to compute some CPU-intensive operations, but even then, the phone would turn off first due to the way motherboards are manufactured -- and a "datalink" in which Daniel supposedly "interfaces" with the AI, and virtually confronts the AI on several occasions. Finally, some short shots of Daniel, Jesse, and Max in their old car don't make sense when the car would obviously not have any cameras within it.
I must digress, though, as most non-hard sci-fi viewers will concede disbelief, and enjoy this masterpiece of sci-fi.
I would highly recommend this short TV series for any sci-fi (and especially hard sci-fi) fan. Overall, the TV series delivers on all counts, and provides an engaging story line which keeps the viewer wondering just what the AI will do next. The story line is clearly well-thought-out, and shows an understanding of the way ubiquitous technology integrates with everyday life, and how many of us rely heavily on its capabilities. Excellent work.