Karen Carpenter had a singing voice that only comes along in the world every few decades. It was instantly recognizable. She had a full three octaves of range, with the lower two of those possessing a rich timbre and an uncanny ability for a very soothing slow-vibrato (my term).
Karen's problems were partly caused by her desire to be accepted and were intensely driven by her stage-demon of a mother, Agnes Carpenter. The problems perpetuated because her family lived in denial that a problem existed. They refused outside help until the damage to Karen's heart from her abuse of ipecac (which she eventually discontinued because she feared that it would damage her vocal cords) was irreversible.
The acting in the movie is good, and the songs are well-mixed, but it takes unreasonable liberties with reality. Over half of the scenes that Barry Morrow wrote were rejected by the family (mainly by Agnes Carpenter), who didn't want any negativity. It drove Morrow to the point where he refused to work on the movie any longer. His replacement had the same problem, and a third writer was brought in to finish. The whole thing is contrived, and to anybody who knew the actual situation, the movie has very little to do with how things really were.
Anybody who wants a realistic view of how things were should read the book "Little Girl Blue" by Randy Schmidt, which offers an objective view.
Karen's problems were partly caused by her desire to be accepted and were intensely driven by her stage-demon of a mother, Agnes Carpenter. The problems perpetuated because her family lived in denial that a problem existed. They refused outside help until the damage to Karen's heart from her abuse of ipecac (which she eventually discontinued because she feared that it would damage her vocal cords) was irreversible.
The acting in the movie is good, and the songs are well-mixed, but it takes unreasonable liberties with reality. Over half of the scenes that Barry Morrow wrote were rejected by the family (mainly by Agnes Carpenter), who didn't want any negativity. It drove Morrow to the point where he refused to work on the movie any longer. His replacement had the same problem, and a third writer was brought in to finish. The whole thing is contrived, and to anybody who knew the actual situation, the movie has very little to do with how things really were.
Anybody who wants a realistic view of how things were should read the book "Little Girl Blue" by Randy Schmidt, which offers an objective view.