Kiss Meets the Phantom of the Park
The reason robots cannot replace rock-stars is because they would short-circuit from all the booze they'd have to consume.
Mind you, the musical machines in this fantasy manage to make it on stage.
When funding for the automatons he maintains around Magic Mountain is funnelled into a KISS concert instead, an imbalanced inventor (Anthony Zerbe) unleashes his anger on the amusement park in the form of a robotic Gene Simmons (Gene Simmons) that rampages the grounds.
He later replaces the rest of the super-powered band: the optic-blasting Starchild (Paul Stanley), the teleporting Space Ace (Ace Frehley) and the spring-heeled Catman (Peter Criss), with android doubles designed to brainwash KISS fans.
Produced by Hanna-Barbera and aired on NBC as a movie, this campy cult classic makes the campy character designs of KISS seem even more cartoonish.
Besides, I don't think a robot could be as arrogant as Gene Simmons without imploding.
Yellow Light
vidiotreviews.blogspot.ca
The reason robots cannot replace rock-stars is because they would short-circuit from all the booze they'd have to consume.
Mind you, the musical machines in this fantasy manage to make it on stage.
When funding for the automatons he maintains around Magic Mountain is funnelled into a KISS concert instead, an imbalanced inventor (Anthony Zerbe) unleashes his anger on the amusement park in the form of a robotic Gene Simmons (Gene Simmons) that rampages the grounds.
He later replaces the rest of the super-powered band: the optic-blasting Starchild (Paul Stanley), the teleporting Space Ace (Ace Frehley) and the spring-heeled Catman (Peter Criss), with android doubles designed to brainwash KISS fans.
Produced by Hanna-Barbera and aired on NBC as a movie, this campy cult classic makes the campy character designs of KISS seem even more cartoonish.
Besides, I don't think a robot could be as arrogant as Gene Simmons without imploding.
Yellow Light
vidiotreviews.blogspot.ca