Documentaries are serious business
usually. Most documentary films show us something, take us somewhere, teach us something, or express a point of view as only film can. While these stories and lessons can come with light moments, they usually play it pretty straight with their subjects. That's what makes "Meet the Patels" (PG, 1:28) so delightfully original. Technically classified as a documentary (and accomplishing many of the things that documentaries do), this movie is also a comedy and a romance.
The main character in this romantic comedy documentary is Ravi Patel. In real life, he's an actor and comedian in Los Angeles. Also in real life, he's had to deal with some of the same issues as many young men and women who have roots in India, yet grew up in the U.S. His parents, Vasant and Champa, who emigrated from India in 1967, want him to marry a nice Indian girl and give them nice Indian grandchildren. Ravi isn't opposed to this, but isn't sure how to go about it in the modern world. As the film opens, he's just broken up with Ashley, his red-haired American girlfriend of two years, because he feels the need to commit to someone with whom he can more easily raise a family like he and his sister, Geeta, were raised. For the time being, Ravi and Geeta share a house and deal with their parents "encouraging" them to find spouses. Ravi is just under 30 and Geeta is just north of 30, making it a minor scandal within their family and circle of friends that neither of them is married.
This film chronicles Ravi's search, over the course of a year, to find a woman whom he and, hopefully, his parents, think would be a good match for him. Even though their own union is the product of a traditional Indian arranged marriage, Vasant and Champa have lived in the U.S. long enough to be willing to compromise on how and where Ravi finds his life partner. But that doesn't stop them from helping the process along. Early in the film, the family takes a trip to India during "wedding season", which they believe is a great opportunity for Ravi to find his bride. Ravi, however, prefers to find an Indian girl in the U.S. The problem, as Arsenio Hall's character says in the similarly-themed "Coming to America", is that "the land is so vast, the choices so infinite." Fortunately, Ravi and his parents have the money and the technological tools to give this search a decent chance for success. Ravi's parents circulate a bio sheet about him amongst other Indian-American families, whose eligible bachelorettes have bio sheets of their own. Ravi also tries meeting women online through Indian-American dating websites. Then, Ravi flies around the country having first dates with a number of the women he meets using these techniques, while his parents keep in constant contact with him, hoping to hear that there will be some second dates. Ravi even attends an out-of-state marriage convention in the hopes that he'll meet and fall for, not just an Indian-American woman, but one named Patel, of which there are many.
Behind the camera is Ravi's sister. We hear them converse about the latest developments in Ravi's search for his ideal woman and there are also reality-TV-style sit-down interviews with Ravi explaining to his sister how he sees things. At the beginning of the film, Ravi explains that, while Geeta is also in the movie business, she's no cinematographer, as evidenced by her shots which are sometimes out of focus, badly lit, poorly composed and include part of her boom mic in the upper right corner of the frame. All this is true at various moments in the film (plus, subtitles are sometimes used to make it clear what certain people are saying if the mic doesn't pick them up well enough), but the movie has well-executed creative aspects as well. Occasionally, Geeta and her fellow director (Ravi) and her fellow producers illustrate part of the story with appropriate graphics and animation. Also, during most of Ravi's sit-down time talking to the camera, we hear his voice (and Geeta's, as she interviews him), but what we see is a cartoon-animated version of Ravi, which sometimes includes a "long shot" of Ravi and Geeta together.
Although this movie documents one man's romantic journey, the film does have writers – Ravi and Geeta, along with Billy McMillin and Matthew Hamachek (who was both editor and co-producer on 2015's great documentary "Cartel Land"). Given that the plan for this film was laid out as a documentary which is also a comedy and a romance, it should come as no surprise that we see aspects of other films, both other documentaries and romantic comedies, within this doc. While "Meet the Patels" doesn't copy any of these movies, moments of this unique film reminded me of films like, of course, "Meet the Parents" (2000), "My Big Fat Greek Wedding" (2002), "My Date with Drew" (2004), "Catfish" (2010), "When Harry Met Sally " (1989), "Bride & Prejudice" (2004) and "Dil Dhadakne Do" (2015).
"Meet the Patels" is original and beguiling. The unique combination of romantic comedy and documentary filmmaking makes for interesting story-telling. Not only do we want to learn how Ravi's search turns out, but we're also interested to learn from the story's cross-generational and cross-cultural tension. The immediate family of Ravi, Geeta, Vasant and Champa Patel are appealing and many of their interactions are both funny and endearing, as are Ravi's verbal observations, actions and reactions throughout the film. Geeta's lack of expertise with the camera is unfortunate and distracting, but the story-telling is solid, relatable and entertaining. "B"
The main character in this romantic comedy documentary is Ravi Patel. In real life, he's an actor and comedian in Los Angeles. Also in real life, he's had to deal with some of the same issues as many young men and women who have roots in India, yet grew up in the U.S. His parents, Vasant and Champa, who emigrated from India in 1967, want him to marry a nice Indian girl and give them nice Indian grandchildren. Ravi isn't opposed to this, but isn't sure how to go about it in the modern world. As the film opens, he's just broken up with Ashley, his red-haired American girlfriend of two years, because he feels the need to commit to someone with whom he can more easily raise a family like he and his sister, Geeta, were raised. For the time being, Ravi and Geeta share a house and deal with their parents "encouraging" them to find spouses. Ravi is just under 30 and Geeta is just north of 30, making it a minor scandal within their family and circle of friends that neither of them is married.
This film chronicles Ravi's search, over the course of a year, to find a woman whom he and, hopefully, his parents, think would be a good match for him. Even though their own union is the product of a traditional Indian arranged marriage, Vasant and Champa have lived in the U.S. long enough to be willing to compromise on how and where Ravi finds his life partner. But that doesn't stop them from helping the process along. Early in the film, the family takes a trip to India during "wedding season", which they believe is a great opportunity for Ravi to find his bride. Ravi, however, prefers to find an Indian girl in the U.S. The problem, as Arsenio Hall's character says in the similarly-themed "Coming to America", is that "the land is so vast, the choices so infinite." Fortunately, Ravi and his parents have the money and the technological tools to give this search a decent chance for success. Ravi's parents circulate a bio sheet about him amongst other Indian-American families, whose eligible bachelorettes have bio sheets of their own. Ravi also tries meeting women online through Indian-American dating websites. Then, Ravi flies around the country having first dates with a number of the women he meets using these techniques, while his parents keep in constant contact with him, hoping to hear that there will be some second dates. Ravi even attends an out-of-state marriage convention in the hopes that he'll meet and fall for, not just an Indian-American woman, but one named Patel, of which there are many.
Behind the camera is Ravi's sister. We hear them converse about the latest developments in Ravi's search for his ideal woman and there are also reality-TV-style sit-down interviews with Ravi explaining to his sister how he sees things. At the beginning of the film, Ravi explains that, while Geeta is also in the movie business, she's no cinematographer, as evidenced by her shots which are sometimes out of focus, badly lit, poorly composed and include part of her boom mic in the upper right corner of the frame. All this is true at various moments in the film (plus, subtitles are sometimes used to make it clear what certain people are saying if the mic doesn't pick them up well enough), but the movie has well-executed creative aspects as well. Occasionally, Geeta and her fellow director (Ravi) and her fellow producers illustrate part of the story with appropriate graphics and animation. Also, during most of Ravi's sit-down time talking to the camera, we hear his voice (and Geeta's, as she interviews him), but what we see is a cartoon-animated version of Ravi, which sometimes includes a "long shot" of Ravi and Geeta together.
Although this movie documents one man's romantic journey, the film does have writers – Ravi and Geeta, along with Billy McMillin and Matthew Hamachek (who was both editor and co-producer on 2015's great documentary "Cartel Land"). Given that the plan for this film was laid out as a documentary which is also a comedy and a romance, it should come as no surprise that we see aspects of other films, both other documentaries and romantic comedies, within this doc. While "Meet the Patels" doesn't copy any of these movies, moments of this unique film reminded me of films like, of course, "Meet the Parents" (2000), "My Big Fat Greek Wedding" (2002), "My Date with Drew" (2004), "Catfish" (2010), "When Harry Met Sally " (1989), "Bride & Prejudice" (2004) and "Dil Dhadakne Do" (2015).
"Meet the Patels" is original and beguiling. The unique combination of romantic comedy and documentary filmmaking makes for interesting story-telling. Not only do we want to learn how Ravi's search turns out, but we're also interested to learn from the story's cross-generational and cross-cultural tension. The immediate family of Ravi, Geeta, Vasant and Champa Patel are appealing and many of their interactions are both funny and endearing, as are Ravi's verbal observations, actions and reactions throughout the film. Geeta's lack of expertise with the camera is unfortunate and distracting, but the story-telling is solid, relatable and entertaining. "B"