A medical emergency for the kindly old Mrs. Call (Beulah Bondi) brings Tammy to uncharted waters -- Los Angeles, where she sets up camp at a modern hospital as a nurse. It's quite a feat, considering she just dropped out of college, but she has some experience already with birthin' babies. Along the way, as usual, she has to help solve the problems of uptight non-river folk. Her boyfriend's (Peter Fonda) mentor, the senior doctor (Macdonald Carey) seems to think that being a heart surgeon requires a vow of abstinence, and is very keen to force this impression on his protégé as well. In order to get laid or, whatever it is that she does once she gets her claws in these various men, Tammy must convince the nurse to seduce the overly dedicated surgeon.
This one has a few more genuine laughs than the others, since Tammy's chores give her plenty of opportunity for light slapstick and situational comedy (typical of the series' low but corny humor is a scene where a black baby is substituted for "Bernard Schwartz"). My hopes were raised for this one when I saw that they had hired veteran cameraman Russell Metty for this final film in the series; however, the film only gives him a brief opportunity to show us the river and the quaint college before plunging us into concrete L.A. and a bland hospital set that's impossible to light in any interesting way. The direction by Harry Keller is just as dull as his work on the previous Tammy film.
Sandra Dee seems to have warmed up to the role and feels more confident here, more in possession of the Tammy character she inherited from Debbie Reynolds. Peter Fonda is somewhat more appealing also than her other two previous boyfriends..... Leslie Nielsen was too stiff and sincere, and John Gavin just seemed to grin at everything she said as if he was amused at her. Fonda instead brings a kind of shy quality, a more introspective version of the "dream man". Contemporary viewers will be amused to see future TV Batman Adam West pop up as the sleazy alternative man (each Tammy film has a variation on this undesirable man scenario), the aptly named "Dr. Hassler."
Won't disappoint those who enjoyed the other two films, but manages to be slightly more entertaining, though by far the dullest in the series to look at in terms of set design, costumes, etc.
This one has a few more genuine laughs than the others, since Tammy's chores give her plenty of opportunity for light slapstick and situational comedy (typical of the series' low but corny humor is a scene where a black baby is substituted for "Bernard Schwartz"). My hopes were raised for this one when I saw that they had hired veteran cameraman Russell Metty for this final film in the series; however, the film only gives him a brief opportunity to show us the river and the quaint college before plunging us into concrete L.A. and a bland hospital set that's impossible to light in any interesting way. The direction by Harry Keller is just as dull as his work on the previous Tammy film.
Sandra Dee seems to have warmed up to the role and feels more confident here, more in possession of the Tammy character she inherited from Debbie Reynolds. Peter Fonda is somewhat more appealing also than her other two previous boyfriends..... Leslie Nielsen was too stiff and sincere, and John Gavin just seemed to grin at everything she said as if he was amused at her. Fonda instead brings a kind of shy quality, a more introspective version of the "dream man". Contemporary viewers will be amused to see future TV Batman Adam West pop up as the sleazy alternative man (each Tammy film has a variation on this undesirable man scenario), the aptly named "Dr. Hassler."
Won't disappoint those who enjoyed the other two films, but manages to be slightly more entertaining, though by far the dullest in the series to look at in terms of set design, costumes, etc.