Action stars Cobie Smulders and Guy Pearce get a chance to stretch as "musclebound rageaholics" (fitness coaches Kat and Trevor) in this rambling but clever comedy. The film's real hero, however, is Danny (Kevin Corrigan), a rich, schlumpfy client who likes to spread his money around in a helpful way—reminded me a little of the Weenie King in "The Palm Beach Story."
I can see why "Results" made it onto NY Times critic A.O. Scott's ten-best list*; I can also see why so many online commenters found it annoying and boring For one thing, writer/director Andrew Bujalski lets his mumblecore roots show by intercutting long, talky scenes with odd bits of indie filler (Kat does isometrics, Trevor plays with his dog) that don't do much to advance the plot.
After a very good start—while it still seems like Danny's going to be the main character—the pacing starts to lag with a couple of subtle plot maneuvers that are well thought out but not all that involving. Luckily Kat pulls it all together in a great screwball-comedy set piece, an everything-on-the-table business dinner with Russian "kettlebell guru" Anthony Michael Hall. Truth be told, Pearce and Smulders don't have a whole lot of chemistry, so they do just fine as conflicted exes; it's not all that satisfying when they finally get together. Fans of "Punch-Drunk Love" may enjoy this one too; others not attuned to the indie sensibility should exercise caution.
* More recently, a couple of Times critics put Corrigan and Pearce (both for best supporting) and Bujalski's screenplay on their lists of perfect-world Oscar noms.
I can see why "Results" made it onto NY Times critic A.O. Scott's ten-best list*; I can also see why so many online commenters found it annoying and boring For one thing, writer/director Andrew Bujalski lets his mumblecore roots show by intercutting long, talky scenes with odd bits of indie filler (Kat does isometrics, Trevor plays with his dog) that don't do much to advance the plot.
After a very good start—while it still seems like Danny's going to be the main character—the pacing starts to lag with a couple of subtle plot maneuvers that are well thought out but not all that involving. Luckily Kat pulls it all together in a great screwball-comedy set piece, an everything-on-the-table business dinner with Russian "kettlebell guru" Anthony Michael Hall. Truth be told, Pearce and Smulders don't have a whole lot of chemistry, so they do just fine as conflicted exes; it's not all that satisfying when they finally get together. Fans of "Punch-Drunk Love" may enjoy this one too; others not attuned to the indie sensibility should exercise caution.
* More recently, a couple of Times critics put Corrigan and Pearce (both for best supporting) and Bujalski's screenplay on their lists of perfect-world Oscar noms.