The midnight wedding
19 December 2015
Warning: Spoilers
A melodrama from the fascist years ,with a strong nationalist feel;the last pictures are revealing: if Luisa can finally overcome her awful pain ,it's because she has a reason to live now: freedom for her country,independence and a husband who is going to fight for it.

The old marchioness and her late husband's (lost?) will are clichés of melodrama: there's also the same situation in Raffaello Nazzari 's "I Figli Di Nessuno" in the following decade .But many things betray the ideology of the times:Franco could sue his grandma cause he has recovered the testament but he does not want to,because it would be a slur on the dowager's reputation and "she is my father's mother";the family's honor is at stake .On the contrary,Luisa is a weak woman ,and ,as an inferior (both as a woman and as a social figure),she cannot understand those noble feelings :she urges her husband to claim his fortune as his right,to no avail.And when the old aristocrat speaks of a divine chastisement ,when Ombretta gets drowned ,nobody seems to deny .

If we forget this dubious philosophy ,we must recognize that the cinematography is splendid,making a good use of the lake which plays a prominent part in the story;the three principals are excellent and Alida Valli was to become one of the best Italian actresses ever.
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