Hugo Stiglitz, probably best known to horror fans as the hero of Italian zombie flick Nightmare City, battles the undead once again in Cemetery of Terror, a low-budget Mexican mish-mash that borrows heavily from several successful US horror hits.
The film opens in Halloween mode, with lumbering serial killer Devlon gunned down by the police after a bloodthirsty rampage. The Evil Dead is the obvious inspiration for the introduction of a Satanic book that is discovered by a group of partying youths, whose idea of fun is to steal a body from the local morgue (no prizes for guessing whose corpse they make off with), and then perform a life-giving ritual during a rainstorm in a creepy cemetery.
With Devlon resurrected (I said there were no prizes!), the film enters Friday the 13th territory, with the dumb kids bumped off one by one by the undead killer. Last but not least, the film becomes a Night of the Living Dead-style fight for survival in a creepy run-down mansion, as a group of young trick or treaters are terrorised by zombies, brought back to life by Devlon's supernatural Satanic powers. Stiglitz plays the occult expert who holds the key to permanently putting Devlon to rest.
Cemetery of Terror is extremely dumb and utterly chaotic nonsense from start to finish, with not a lick of logic and unremarkable performances all round, but energetic direction from Rubén Galindo Jr. (who was also responsible for US-style slasher Don't Panic), lots of bargain basement zombies, and quite a fair bit of crude gore (a torn out throat, guts pulled out, an axe in the head) mean that there's still some fun to be derived from this random slice of South American schlock.
Fans of cheesy '80s horror will also enjoy the frequent appearances of the boom mic or its shadow, some nasty fashion (including a shiny, multi-coloured jacket with a skier printed on the back), an impressively staged zombie resurrection scene 'enhanced' by an excess of smoke and coloured lights, and one of those 'WTF?' final shots that were so prevalent among cheap horror films of the era.
The film opens in Halloween mode, with lumbering serial killer Devlon gunned down by the police after a bloodthirsty rampage. The Evil Dead is the obvious inspiration for the introduction of a Satanic book that is discovered by a group of partying youths, whose idea of fun is to steal a body from the local morgue (no prizes for guessing whose corpse they make off with), and then perform a life-giving ritual during a rainstorm in a creepy cemetery.
With Devlon resurrected (I said there were no prizes!), the film enters Friday the 13th territory, with the dumb kids bumped off one by one by the undead killer. Last but not least, the film becomes a Night of the Living Dead-style fight for survival in a creepy run-down mansion, as a group of young trick or treaters are terrorised by zombies, brought back to life by Devlon's supernatural Satanic powers. Stiglitz plays the occult expert who holds the key to permanently putting Devlon to rest.
Cemetery of Terror is extremely dumb and utterly chaotic nonsense from start to finish, with not a lick of logic and unremarkable performances all round, but energetic direction from Rubén Galindo Jr. (who was also responsible for US-style slasher Don't Panic), lots of bargain basement zombies, and quite a fair bit of crude gore (a torn out throat, guts pulled out, an axe in the head) mean that there's still some fun to be derived from this random slice of South American schlock.
Fans of cheesy '80s horror will also enjoy the frequent appearances of the boom mic or its shadow, some nasty fashion (including a shiny, multi-coloured jacket with a skier printed on the back), an impressively staged zombie resurrection scene 'enhanced' by an excess of smoke and coloured lights, and one of those 'WTF?' final shots that were so prevalent among cheap horror films of the era.