13 Hours: The Secret Soldiers of Benghazi is based on the attack of an American diplomatic facility in 2012. Among the events and the controversy behind the attack, the movie focuses more on the military side, regarding this as a Michael Bay film. Though the basic details of what has happen were represented, the core of the film leans more on the soldiers who tried to stop this and rescue the US ambassador. As an action film, it's pretty much you'd expect from the director; nearly endless mayhem. As a drama, it chooses pretty stock choices. It's pretty much how it honors the soldiers who fought and die for their country, while that isn't a really bad theme, it's been overdone especially in Michael Bay standards. Put aside the knowledge who directed this film, it's still not a compelling or even fun clash of unending spectacle.
The movie opens with a long exposition which is basically the most interesting bit of them all since it takes us to politically intrigue. Everything else is basically just these ex-soldiers doing what you'd normally see from a soldier in movies. And in spite that they are more of the focus, the characters are ridiculously interchangeable. They all have muscle, they all fight for their country, they all have a family back home who misses them. And there is some friendship between the two lead characters that the movie wants us to care about. While it does work at times, it's still that typical brotherhood subplot that is done with even less distinction. The movie is pretty much glorifying these soldiers too much that everyone else is being antagonized for being naive and not letting them fight for their country.
The action is impressive to look at, though coherence might be tough for most people. But if you like to see an extreme dose of explosions, shaky cam and lens flare, then you know what you'll get in a Michael Bay film, though to be fair, you can find some worthy tension in the less explosive moments. But we also get the worst of him by putting his crass humor scattered around. And yes, their enemies are faceless as ever. It's kind of strange that the movie has to end with the victims' loved ones mourning for them, while it's good that they are aware that these people have families too, the victorious tone being played in that epilogue makes it seem tasteless. But hey, if the US soldiers win in the end, then that is what it all matters for Bay.
There is so much interesting going on to this story, but 13 Hours chooses to settle with the explosions. While the explosions do look stunning, it pretty much misses the opportunity of covering the stuff that seem more important to tell. And as a Michael Bay film, the result is as predictable as it gets; glamorizing US soldiers, over-indulging spectacles, etc. And it's not shown in a newer spin, either. The patriotism is less compelling and one sided as ever, the action is loud, but if you're into that then the cool explosions may entertain you. If you are looking for a more complex or sophisticated representation here, then 13 Hours won't quite help getting you into that perspective.
The movie opens with a long exposition which is basically the most interesting bit of them all since it takes us to politically intrigue. Everything else is basically just these ex-soldiers doing what you'd normally see from a soldier in movies. And in spite that they are more of the focus, the characters are ridiculously interchangeable. They all have muscle, they all fight for their country, they all have a family back home who misses them. And there is some friendship between the two lead characters that the movie wants us to care about. While it does work at times, it's still that typical brotherhood subplot that is done with even less distinction. The movie is pretty much glorifying these soldiers too much that everyone else is being antagonized for being naive and not letting them fight for their country.
The action is impressive to look at, though coherence might be tough for most people. But if you like to see an extreme dose of explosions, shaky cam and lens flare, then you know what you'll get in a Michael Bay film, though to be fair, you can find some worthy tension in the less explosive moments. But we also get the worst of him by putting his crass humor scattered around. And yes, their enemies are faceless as ever. It's kind of strange that the movie has to end with the victims' loved ones mourning for them, while it's good that they are aware that these people have families too, the victorious tone being played in that epilogue makes it seem tasteless. But hey, if the US soldiers win in the end, then that is what it all matters for Bay.
There is so much interesting going on to this story, but 13 Hours chooses to settle with the explosions. While the explosions do look stunning, it pretty much misses the opportunity of covering the stuff that seem more important to tell. And as a Michael Bay film, the result is as predictable as it gets; glamorizing US soldiers, over-indulging spectacles, etc. And it's not shown in a newer spin, either. The patriotism is less compelling and one sided as ever, the action is loud, but if you're into that then the cool explosions may entertain you. If you are looking for a more complex or sophisticated representation here, then 13 Hours won't quite help getting you into that perspective.