Spotlight centers a journalism team that tries to expose a scandal over Catholic churches. It takes dilemmas to show this story to the people that could bring a serious vulnerable effect at the culture of Boston. The movie showcases how impacting the work is, that it's not easy to just release a story in public, especially as devastating as this one. We explore their practicalities and ethics at handling this case, that it took a year for them to expose. Every detail of this process is done with excellent pace, disclosing every bit of information that is hidden by vulnerable people and giving intriguing arguments on how everyone will be ready to hear this story. Spotlight is powerful by just how smart it depicts the complexity of journalism.
The movie doesn't necessarily go against the religion or anything. Their targets are nothing more than the suspects. It takes an argument that despite that the priests are supposed to be respected for their spiritual commitment, hiding the dark truth behind their crimes would be an abuse of both the law and their power in their creed. There is not a good guy or bad guy labeling between the reporters and the church, it's basically just them fighting to find the truth from people who are hiding it for the sake of protecting either one's dignity or a victim's security. But the tougher choice is deciding when do they have to publish this story, especially close to the events of 9/11, which was a huge hindrance since it's the time when people who lost hope needed comfort from their faith.
But the movie isn't always stick-in-the-mud in this subject. There's some sense of humor when it asks for it. It also allows the characters to be developed, expressing how their job has taken over their personal lives and how suing the church is a big deal to them due to how Catholicism means to their childhood or loved ones. The film just lets it all engaging than just a series of information. The direction just lets us see how their reporting work in a quite compelling way; the uneasy confessions of the victims, the revelation of the amount of suspect priests, convincing. The acting is outstanding; mostly from Mark Ruffalo to Michael Keaton, the talents just shine at every moment they're in.
Spotlight, among the nominees, is the less showy one, but it acknowledges that it's the story it's handling is what makes it powerful. It's more about the hard work journalists go through rigorously finding facts and responsibility of sharing them at the right time. And how it profoundly handles this hot-button issue also made it fascinating. Slick direction keeps things engrossing, smart writing made it engaging and an amazing cast is just entertaining. Spotlight is a magnetic insight of the busier side of journalism.
The movie doesn't necessarily go against the religion or anything. Their targets are nothing more than the suspects. It takes an argument that despite that the priests are supposed to be respected for their spiritual commitment, hiding the dark truth behind their crimes would be an abuse of both the law and their power in their creed. There is not a good guy or bad guy labeling between the reporters and the church, it's basically just them fighting to find the truth from people who are hiding it for the sake of protecting either one's dignity or a victim's security. But the tougher choice is deciding when do they have to publish this story, especially close to the events of 9/11, which was a huge hindrance since it's the time when people who lost hope needed comfort from their faith.
But the movie isn't always stick-in-the-mud in this subject. There's some sense of humor when it asks for it. It also allows the characters to be developed, expressing how their job has taken over their personal lives and how suing the church is a big deal to them due to how Catholicism means to their childhood or loved ones. The film just lets it all engaging than just a series of information. The direction just lets us see how their reporting work in a quite compelling way; the uneasy confessions of the victims, the revelation of the amount of suspect priests, convincing. The acting is outstanding; mostly from Mark Ruffalo to Michael Keaton, the talents just shine at every moment they're in.
Spotlight, among the nominees, is the less showy one, but it acknowledges that it's the story it's handling is what makes it powerful. It's more about the hard work journalists go through rigorously finding facts and responsibility of sharing them at the right time. And how it profoundly handles this hot-button issue also made it fascinating. Slick direction keeps things engrossing, smart writing made it engaging and an amazing cast is just entertaining. Spotlight is a magnetic insight of the busier side of journalism.