I would rather watch silly escapist entertainment films like this any day over films which disappear up their own arthole in the pursuit of grim meaning. Because of that I'm sure this was the best "British" film of the year even though I haven't seen any other; I'm also sure nearly everything produced nowadays has to be sadistic and/or perverted to have any money spent on it at all. The colour in this is so subdued most of the time for the sake of modern realism it may have looked more realistic to have pressed the monochrome button. Whether it would look more believable is another matter though!
James Bond is on the chase after baddies variously in places like Mexico, Rome, Tunisia, Austria, and London of course with all of its splendid under-publicised tourist attractions. He gets some, and a few women along the way as usual with many slick nail-biting obligatory chases and fights. What more needs to be reported and what more could anyone want of Bond? Daniel Craig as 007 and Sam Mendes as director have helped make a huge improvement in the Legend that Sean Connery left us; those poor quality extended Saint episodes in previous decades that were passed off as Bond are getting more risible with every new episode. Favourite bits: the delicate artiness with Monica Belucci; the sinister meeting of the baddies in the ridiculous banqueting hall; the romance with Lea Seydoux and then the violence on the empty train – I can't believe they'll throw big Dave Bautista away just like that.
If there was product placement it was very subtle - but I personally wouldn't know a Rolex from a Reebok. The whole plot and almost every character in it is nonsensical and Batmanesque with its cliffhangers, resolutions, cars and gadgets but the actual climax bordered on ludicrous and was rushed (among other things there was no fanfare for Q), however there was a lot to savour in the overall mammoth running time. And I admit it - I preferred it to Skyfall.
James Bond is on the chase after baddies variously in places like Mexico, Rome, Tunisia, Austria, and London of course with all of its splendid under-publicised tourist attractions. He gets some, and a few women along the way as usual with many slick nail-biting obligatory chases and fights. What more needs to be reported and what more could anyone want of Bond? Daniel Craig as 007 and Sam Mendes as director have helped make a huge improvement in the Legend that Sean Connery left us; those poor quality extended Saint episodes in previous decades that were passed off as Bond are getting more risible with every new episode. Favourite bits: the delicate artiness with Monica Belucci; the sinister meeting of the baddies in the ridiculous banqueting hall; the romance with Lea Seydoux and then the violence on the empty train – I can't believe they'll throw big Dave Bautista away just like that.
If there was product placement it was very subtle - but I personally wouldn't know a Rolex from a Reebok. The whole plot and almost every character in it is nonsensical and Batmanesque with its cliffhangers, resolutions, cars and gadgets but the actual climax bordered on ludicrous and was rushed (among other things there was no fanfare for Q), however there was a lot to savour in the overall mammoth running time. And I admit it - I preferred it to Skyfall.