Blood Shack (1971)
1/10
Blood... Rodeo?!
25 June 2016
I know, my English is horrible (I am a foreigner), but this movie... This goddamn movie… «Blood shack», everyone. Which also "known" as... "The Chooper"?

This movie presents Chooper as some kind of a spirit, that looks like a ninja with ridiculously elongated hands, when he chasing victims. He is hanging around with some shabby shack on the territory of the former ranch, and that cabin somehow attracts ALL around. Children, adults, some girl, who was left by her friends — all of them so badly want to get to this hut, despite the warnings of the local worker, which – of course – nobody's listening.

This epic Saga was filmed by Ray Dennis Steckler, filmed for $ 500, which is 76 times less than the budget of his most famous film — zombie, hmm-mm, musical "The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!?". Why the "Blood Shack" was filmed — I genuine don't know. Apparently, Steckler and crew got bored under the scorching sun of the Texas desert, so they decided to create this abomination, which 1/3 consists of the Rodeo, and the remaining 2/3 of uninteresting, bland-enveloping like molten syrup history about anything. There are no noticeable special effects, of course — the visual side is obviously lame. The script is also poor — semantic aspect is also down the drain.

And the only music here is not bad. No, it's not very diverse and memorable — but it really is, and someone tried to come up with and write, and thus that someone (the composer Frank A. Coe) was the only person on the site, which somehow bothered by what he does. No one else was worried. For example, how Chooper can to appear quietly from the sun-drenched open desert? Who knows! It doesn't matter!. And why worker, who tried to stop everyone from going to the cabin, doesn't took this girl, left by her friends, into HIS shack? Yes, who cares...

Films such as this one, "A night to dismember", "Executioner: Part 2", though filmed by different directors, but remarkably similar to one another: in all three cases (well, why three — there are ton of examples, but specifically those are most awful, in my humble opinion) initially club-hand people took on projects with no financial support, and sculpted their cinematic piles of… confusion without a bit of fantasy and imagination — those things, possibly, could save their sad movies. Such films are relatively easy to obtain (on YouTube, everything on YouTube), it is extremely easy to blame and it's just impossible not to forget.
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