8/10
"I want to see her suffer the way I suffered".
22 September 2016
Warning: Spoilers
Ann Sheridan became my favorite classic film actress on the strength of feisty performances in films like 1938's "Angels With Dirty Faces" and 1940's "City For Conquest". Here she portrays a conflicted character who's had an affair and killed her former lover when he refuses to concede that the romance is over. Because the viewer doesn't know this when the story begins, it appears to be an open and shut case once she's arrested for murder. The intriguing story that follows contains several twists and turns that makes this a thinking person's movie, one that challenges a typical reaction that a divorce between the aggrieved parties is a foregone conclusion.

The player who really makes one sit up and take notice however is Lew Ayres as attorney Larry Hannaford, lawyer and personal friend of Chris Hunter (Sheridan) and her husband Bob (Zachary Scott). Initially sympathetic to Chris's plight, he really lets her have it when he uncovers the truth of her affair, comparing her to any number of 'cheating, conniving women who parade through my office'. He eventually tempers his disdain over the situation by realizing that Chris didn't have it in her to murder a man wantonly, and so takes up her murder trial defense.

Now this art shop guy Barrow (Steven Geray) was a real low down creep, wasn't he? Seeing dollar signs in it for himself when he connects the dots on newspaper headlines about the Tanner killing, he holds out for a ten thousand dollar payday by bringing in the widow Tanner (Marta Mitrovich) on his scheme. To get a good idea of Ann Sheridan's range as an actress, just catch her reaction when Barrow tells her Mrs. Tanner has the bust that Michael Tanner sculpted using her as a model. It was a foreboding look that held the threat of everything in her life about to fall apart.

Actress Eve Arden also displays a side to her acting ability I haven't seen before as well. Watching her as 'Our Miss Brooks' in TV reruns back in the Fifties, I'm more familiar with her comedic side, but she proved she was capable of inserting a capital 'B' into a colorful description of her character Paula. In case you're wondering, the word rhymes with 'witch'.

Ultimately this becomes a bittersweet story once Mrs. Hunter survives her murder trial and is acquitted. Then it becomes attorney Hannaford's job to try and patch up the canyon wide differences between the Hunters. The dialog that sets up what might be a successful reconciliation is the kind of writing one generally doesn't come across in pictures of the era, and works to significantly elevate the quality of the picture.
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