Something is tonally off about "Love & Friendship," Whit Stillman's screen adaptation of a Jane Austen novella. Stillman treats the film like a satire of Jane Austen, with all of the actors moving through the film practically winking at the camera to acknowledge they're playing dress up. The problem with that approach is that Austen was already a crack satirist herself. Therefore, the film doubles the emotional distance between the audience and the characters, so we have a hard time caring much about what happens to any of them.
Another big problem is the casting. Kate Beckinsale is a lovely actress, and she does imperious and haughty well. But her character is in virtually every scene, and she's supposed to be so irresistible that she can manipulate anyone to do anything she wants. Beckinsale doesn't have that kind of allure; she's technically proficient at hitting her marks, but she doesn't have the screen presence to carry this really rather despicable character off. I'm stumped to think of a modern-day actress who could, but Vivien Leigh would have been perfect in a role like this. The poor casting extends to other members of the cast as well, most egregiously to Chloe Sevigny, who is far too contemporary an actress to be believable in a period piece. Most everyone else in the film is a drip, with the sole exception of Tom Bennett, who plays a bumbling suitor brilliantly and enlivens the picture every time he's on screen. Would that the whole film had been as funny and engaging as his performance.
With Stillman maintaining too much of an ironical distance from the action, the film turns into a talky succession of drawing rooms conversations that don't amount to much of anything save a procession of pretty period gowns.
Grade: B-
Another big problem is the casting. Kate Beckinsale is a lovely actress, and she does imperious and haughty well. But her character is in virtually every scene, and she's supposed to be so irresistible that she can manipulate anyone to do anything she wants. Beckinsale doesn't have that kind of allure; she's technically proficient at hitting her marks, but she doesn't have the screen presence to carry this really rather despicable character off. I'm stumped to think of a modern-day actress who could, but Vivien Leigh would have been perfect in a role like this. The poor casting extends to other members of the cast as well, most egregiously to Chloe Sevigny, who is far too contemporary an actress to be believable in a period piece. Most everyone else in the film is a drip, with the sole exception of Tom Bennett, who plays a bumbling suitor brilliantly and enlivens the picture every time he's on screen. Would that the whole film had been as funny and engaging as his performance.
With Stillman maintaining too much of an ironical distance from the action, the film turns into a talky succession of drawing rooms conversations that don't amount to much of anything save a procession of pretty period gowns.
Grade: B-