With seventeen writing and sixteen directing credits on her CV it's fair to say that Anne Fontaine has paid her dues and knows how films are put together; I've seen and enjoyed perhaps a dozen of these but I have no hesitation in saying that The Innocents surpasses anything she has done by a country mile; all I can say is that this is Fontaine's Citizen Kane and in my book that's another way of saying the best there is. It's one of an increasing number of films set in and/or either side of World War Two based on actual incidents, Katyn is another, for example, but it would be wrong to assume that this was sufficient to guarantee success. For that we have to look to the creative term or, to put it another way you can deliver a ton of Carera marble to a sculptor but it's up to the sculptor to fashion it into something outstanding or something mediocre. Fontaine, given her marble and enlisting the aid of three outstanding actresses - Lou de Laage, Agata Buzek and Agata Kulesza - fashioned it into a masterpiece. The plot has been described else where: 1945, Poland. Lou de Laage is working with the French Red Cross. A nun solicits her help, she turns her away. A little later she sees the same nun, on her knees in the snow praying desperately for heavenly intervention. Breaking the rules of her contract she 'borrows' an ambulance and accompanies the nun to the convent where she finds a woman about to give birth. The Abbess, Agata Lulesza, explains that they have taken the girl in out of pity but rejects any help. Another nun, Agata Buzek, speaks French and persuades the Abbess to accept the help of the French doctor. So begins a bonding between the French doctor and the Polish nun. The first revelation is that Russian soldiers visited the convent three times leaving seven nuns pregnant. Later the doctor discovers the Abbess has syphilis. There is, if possible, a final revelation even more horrific than the en masse raping of seven nuns. Shot in colour but muted to resemble black and white, in a bleak Polish winter with virtually no music Fontaine holds the attention effortlessly and has surely coaxed Award winning performances out of the three leads or else there is no justice in the world yet every single performance is A +. The highest praise is not good enough for this film.
Review of The Innocents
