It's definitely not one of Scorsese's favorites, and probably for good reason. Who's That Knocking at My Door sees Scorsese in his debut without much polish or knack for how to effectively structure a feature debut.
The problem with the film mostly falls on inexperience. Much like his second film, you see flashes of his greatness in camera movements and poise in developing likable character dynamics. Heck, he even showed promise in his screen writing abilities in a few scenes, and that's not even something he does all that often anymore. But with a low budget, sometimes sloppy editing, and a narrative that lacked substance, there isn't a whole lot to ride home about here.
Certain aspects of the film reminded me about Richard Linklater's Before Trilogy, in that a good portion of the film just walking and talking. That, I found interesting. But I wasn't as invested in the story when it falls into the trap of gratuitous sex scenes and unnecessary yelling. Something, that Scorsese has been harped on later in his career, but it seemed really out of place in what was otherwise, a calm romance-drama.
This is Scorsese's first feature, however. So perhaps certain narrative mishaps and editing issues should be forgiven, considering it underwent many changes during its production. It's also a far more artistically structured film than his subsequent movies, so by default it's more divisive. The characters just didn't connect with me. It plays more as an experiment than an experience, if that makes any sense. In all, there's flashes of the great Scorsese everyone loves, but not enough narratively here to make for a worthwhile viewing.
+Interesting directing choices
+Plenty of Scorsese staples
-Narratively flawed
-Not much substance
-Gratuitous at times
4.6/10
The problem with the film mostly falls on inexperience. Much like his second film, you see flashes of his greatness in camera movements and poise in developing likable character dynamics. Heck, he even showed promise in his screen writing abilities in a few scenes, and that's not even something he does all that often anymore. But with a low budget, sometimes sloppy editing, and a narrative that lacked substance, there isn't a whole lot to ride home about here.
Certain aspects of the film reminded me about Richard Linklater's Before Trilogy, in that a good portion of the film just walking and talking. That, I found interesting. But I wasn't as invested in the story when it falls into the trap of gratuitous sex scenes and unnecessary yelling. Something, that Scorsese has been harped on later in his career, but it seemed really out of place in what was otherwise, a calm romance-drama.
This is Scorsese's first feature, however. So perhaps certain narrative mishaps and editing issues should be forgiven, considering it underwent many changes during its production. It's also a far more artistically structured film than his subsequent movies, so by default it's more divisive. The characters just didn't connect with me. It plays more as an experiment than an experience, if that makes any sense. In all, there's flashes of the great Scorsese everyone loves, but not enough narratively here to make for a worthwhile viewing.
+Interesting directing choices
+Plenty of Scorsese staples
-Narratively flawed
-Not much substance
-Gratuitous at times
4.6/10