"The Kiss" follows teenaged Amy (Meredith Salenger) whose mother has just died in a gruesome car accident. To complicate matters, her estranged aunt Felice (Joanna Pacula) arrives in town, who was separated from Amy's mother during their childhood in the Belgian Congo. Little does Amy know, Aunt Felice is under the thumb of an ancient curse, one which must be passed on to Amy before Felice's vessel disintegrates.
I won't attempt to make "The Kiss" sound like something it's not—it is an absolutely absurd romp that stirs all of the '80s horror fixings into a melding pot and serves up a ragbag medley of witchcraft, African magic, mysterious talismans, and monster parasites passed on from mouth-to- mouth. Oh, and did I mention a therianthropic rabid cat?
Derivative and impossible to take seriously, "The Kiss" is still a fantastic film in that it makes the most of all of its derivative elements, and has plenty of fun doing it. In some ways, it is a feminine answer to "Fright Night," and actually makes an intertextual reference to that very film. It evokes the small-town atmosphere which is ripe for teenaged terror, and the weird ancestral/incestuous undercurrents in the film are grotesque and utterly bizarre. The special effects team behind this is something of a technical powerhouse, having done the work for "Gremlins" among other things, and while some of the effects are dated (the cat, for example, is just ridiculous), there are also some impressive and legitimately gruesome effects that supersede the sillier ones.
The film follows a familiar narrative trajectory that was seen before and would be seen again, especially in writer Stephen Volk's followup script, "The Guardian" (1990) which ended up being directed by William Friedkin two years later. There are some loose threads in the film (we, for example, are provided no significant followup to the recovery of Amy's friend Heather after she is nearly mangled to death by an escalator), but there is significant suspense in spite of some sloppy technicalities. Joanna Pacula is fantastically evil in the film, and Meredith Salenger plays your everyday likable teenage girl very well.
Overall, I found "The Kiss" to be sublime, even in its most absurd of quandaries. It essentially epitomizes the entire landscape of '80s horror films, specifically the supernatural thrillers, and is undeniably fun. It offers solid performances, some fantastically gross (and other times hilariously bad) special effects, and a poolside finale that is perhaps one of the most thematically and aesthetically chaotic things I've ever seen. 8/10.
I won't attempt to make "The Kiss" sound like something it's not—it is an absolutely absurd romp that stirs all of the '80s horror fixings into a melding pot and serves up a ragbag medley of witchcraft, African magic, mysterious talismans, and monster parasites passed on from mouth-to- mouth. Oh, and did I mention a therianthropic rabid cat?
Derivative and impossible to take seriously, "The Kiss" is still a fantastic film in that it makes the most of all of its derivative elements, and has plenty of fun doing it. In some ways, it is a feminine answer to "Fright Night," and actually makes an intertextual reference to that very film. It evokes the small-town atmosphere which is ripe for teenaged terror, and the weird ancestral/incestuous undercurrents in the film are grotesque and utterly bizarre. The special effects team behind this is something of a technical powerhouse, having done the work for "Gremlins" among other things, and while some of the effects are dated (the cat, for example, is just ridiculous), there are also some impressive and legitimately gruesome effects that supersede the sillier ones.
The film follows a familiar narrative trajectory that was seen before and would be seen again, especially in writer Stephen Volk's followup script, "The Guardian" (1990) which ended up being directed by William Friedkin two years later. There are some loose threads in the film (we, for example, are provided no significant followup to the recovery of Amy's friend Heather after she is nearly mangled to death by an escalator), but there is significant suspense in spite of some sloppy technicalities. Joanna Pacula is fantastically evil in the film, and Meredith Salenger plays your everyday likable teenage girl very well.
Overall, I found "The Kiss" to be sublime, even in its most absurd of quandaries. It essentially epitomizes the entire landscape of '80s horror films, specifically the supernatural thrillers, and is undeniably fun. It offers solid performances, some fantastically gross (and other times hilariously bad) special effects, and a poolside finale that is perhaps one of the most thematically and aesthetically chaotic things I've ever seen. 8/10.