5/10
Excessively mawkish and melodramatic
9 January 2017
The direction of this 1950 movie I found unrelieved by excessive mawkishness, gloom and melodrama.Like a piece of music all written in a minor key or a picture painted in dark forbidding colours with no light patches.The low budget film studio could not afford to pay famous star actor/director fees to bring in the punters so had to produce and cast the film on poverty row.I suspected as such when I did not recognise one star name in the opening credits.

The danger of executing someone wrongly convicted of murder when the sentence cannot be revoked after capital punishment is ever present in a society which uses this form of justice and which evolves over time.Up until 1965 we had capital punishment in our country and although MP's are given a free vote, since then, the restoration of capital punishment has been debated but never reintroduced.This is how Ian Brady & Myra Hindley (the moor murderers) escaped the gallows.The national feeling of this case was so intense, successive Home Secretaries maintained life sentences on these two criminals until they died of natural causes.

To illustrate how bad the direction was, in "The Sun Sets at Dawn" the set had the condemned and cast members all apparently walking through the Warden's private office, almost like a t.v. black comedy with the electrical process continually not working; when in reality such people would have been kept apart until a more appropriate moment.Adequate 5/10.
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