'Amistad' is not one of Steven Spielberg's best, in the way that 'Schindler's List', 'Jaws', 'ET' and 'Raiders of the Lost Ark' are. He has however done worse, with the likes of 'The Lost World' and '1941'. Instead it's around solid middle when it comes to his films.
Starting with the positives, the best things are the production values, coupled with the handsome and evocative period detail and the rich, searing cinematography there are some really arresting images here, and the sensational debut of Dijimon Hounsou, a performance of blistering passion and grave sensitivity.
Throughout, especially in the first three-quarters, 'Amistad' boasts moments that are harrowing (the brutal voyage of the slaves), powerful (the opening scene) and moving (most of the film). The script is well-intentioned and thoughtful, if sometimes a bit over-sentimental and heavy-handed (especially Adams' big speech, that could have been stirring but didn't seem to know how far to go to make its obvious point, so it felt preachy). Much of Spielberg's direction is impeccable, with enough of what makes his direction so great in his best films.
Hounsou isn't the only great actor here. Anthony Hopkins gives his all in an authoritative and stirring account of Adams and Matthew McConaughey shows more engagement and charisma than he does in some of his later films. Morgan Freeman is underused but is as you expect.
On the other hand, 'Amistad' is a long film (not a bad thing necessarily), but could have been about 20 minutes shorter with less characters and some of the final act being trimmed. Some of the latter part of the film drags, and the score disappointingly is over-emphatic and gives a heavy-handedness. Despite being brilliantly delivered by Hopkins and clearly written with thought and good intent Adams' big speech just went too far making its point.
In conclusion, a brave attempt at bringing a significant, if not as well known, event to film that works very well in a lot of elements but just misses the mark of completely working as an overall film. 7/10 Bethany Cox
Starting with the positives, the best things are the production values, coupled with the handsome and evocative period detail and the rich, searing cinematography there are some really arresting images here, and the sensational debut of Dijimon Hounsou, a performance of blistering passion and grave sensitivity.
Throughout, especially in the first three-quarters, 'Amistad' boasts moments that are harrowing (the brutal voyage of the slaves), powerful (the opening scene) and moving (most of the film). The script is well-intentioned and thoughtful, if sometimes a bit over-sentimental and heavy-handed (especially Adams' big speech, that could have been stirring but didn't seem to know how far to go to make its obvious point, so it felt preachy). Much of Spielberg's direction is impeccable, with enough of what makes his direction so great in his best films.
Hounsou isn't the only great actor here. Anthony Hopkins gives his all in an authoritative and stirring account of Adams and Matthew McConaughey shows more engagement and charisma than he does in some of his later films. Morgan Freeman is underused but is as you expect.
On the other hand, 'Amistad' is a long film (not a bad thing necessarily), but could have been about 20 minutes shorter with less characters and some of the final act being trimmed. Some of the latter part of the film drags, and the score disappointingly is over-emphatic and gives a heavy-handedness. Despite being brilliantly delivered by Hopkins and clearly written with thought and good intent Adams' big speech just went too far making its point.
In conclusion, a brave attempt at bringing a significant, if not as well known, event to film that works very well in a lot of elements but just misses the mark of completely working as an overall film. 7/10 Bethany Cox