After their tyres are stolen while making out at a drive-in theatre, two Sydney youths find themselves trapped in the drive-in theatre, unable to phone for help, along with several social misfits in this absurdist thriller from 'Turkey Shoot' director Brian Trenchard-Smith. The film is quite slow to warm up (it takes 25 plus minutes for them to reach the drive-in) but once it gets going, the film rarely lets up, milking the outrageousness of the offbeat premise for all that it is worth. Initially there is much mystery as to why they have been trapped; with food coupons and many amenities, the drive-in has clearly been designed for long-term living. Even more interesting is how many residents prefer living in the drive-in to the outside world; "I was four years out of work, nowhere to go" states one happy resident. As the protagonist's girlfriend quickly grows to like the place too, the film offers a satire of relationship commitment as he soon finds himself forced to live with a woman who he saw as no more than a 'squeeze' day-in, day-out. The film loses some edge in the final half-hour as immigrants are shipped into the drive-in, with the film adopting a tiresome racial tolerance stance as it becomes obvious that the drive-in is a government sanctioned facility for 'undesirables'. Even with a weak final third though, 'Dead-End Drive-In' is potent, thought-provoking stuff and meticulously well crafted. All the glorious tracking and panning shots and constant low lighting combine to make the picture very atmospheric with a genuine sense of doom and dread in the air.
Review of Dead End Drive-In
