MONKEY KUNG FU is a typical Hong Kong outing in the Jackie Chan mould, heavily derived from the success of Jackie Chan's incredibly influential double bill, SNAKE IN THE EAGLE'S SHADOW and DRUNKEN MASTER. Now, there were literally hundreds of Chan imitations being churned out in the years between 1979 and 1984, so films of this ilk have to have something really special about them in order for them to stand out.
Thankfully, MONKEY KUNG FU does have something: it was made by Shaw Brothers, so the production values are much better than expected for this sub-genre. This is a fine looking film with all of the action taking place outside in a mixture of location shooting and the famous Shaw sets so beloved by fans. The plot is extremely slight and characters come and go according to plot contrivance; the bad guys, for example, helpfully disappear for a while to give our hero the chance to train up his skills. In addition, there's a real lack of momentum so that this isn't a particularly exciting picture in terms of narrative drive.
However, the good news is that the action choreography is strong and the fights are fast-paced and wacky. The opening prison brawl between the hero and the old master is very well portrayed and then there's plenty of mileage in a brief chained-together plot. I loved the bit with the Bolo-alike blacksmith and his sledgehammer. Later, things get bogged down in the hunt for an old manuscript, but pick up again for some great training sequences that have a really vicious streak. The final fight boasts a beautiful backdrop and some typically skilled and furious fighting styles. Overall, this is far from the best that Shaw made, but as a light action comedy with decent choreography, it's difficult to dislike.
Thankfully, MONKEY KUNG FU does have something: it was made by Shaw Brothers, so the production values are much better than expected for this sub-genre. This is a fine looking film with all of the action taking place outside in a mixture of location shooting and the famous Shaw sets so beloved by fans. The plot is extremely slight and characters come and go according to plot contrivance; the bad guys, for example, helpfully disappear for a while to give our hero the chance to train up his skills. In addition, there's a real lack of momentum so that this isn't a particularly exciting picture in terms of narrative drive.
However, the good news is that the action choreography is strong and the fights are fast-paced and wacky. The opening prison brawl between the hero and the old master is very well portrayed and then there's plenty of mileage in a brief chained-together plot. I loved the bit with the Bolo-alike blacksmith and his sledgehammer. Later, things get bogged down in the hunt for an old manuscript, but pick up again for some great training sequences that have a really vicious streak. The final fight boasts a beautiful backdrop and some typically skilled and furious fighting styles. Overall, this is far from the best that Shaw made, but as a light action comedy with decent choreography, it's difficult to dislike.