In 2014 I thought and wrote of Berger's Hawaii... Berger's use of eroticism is a bit obvious in this. Perhaps because I've seen his moves before, they stand out as a bit contrived.
It seems for Taekwondo the only effort to stretch and evolve has been to up the ante of sexual tension with more men and more (much more) nudity. Again Berger shows us that eroticism is introduced by so much more than sex. Its still an animal notion of combined human attraction, contact and bond. The movie clings to his oft used narrative "will they or wont they" but here it felt reduced to teen angst. I recognized some effort to add questions of machismo, sexuality (as usual) and questions of the bonds of friendship. If you've seen Berger's wonderful "Plan B" or "Sexual Tension" "Absent" or "Hawaii" you've see most of the tricks and many of the shots also used in this movie as well as pacing, shot composition, and narrative exploration before, but in a better movie than this one.
It seems for Taekwondo the only effort to stretch and evolve has been to up the ante of sexual tension with more men and more (much more) nudity. Again Berger shows us that eroticism is introduced by so much more than sex. Its still an animal notion of combined human attraction, contact and bond. The movie clings to his oft used narrative "will they or wont they" but here it felt reduced to teen angst. I recognized some effort to add questions of machismo, sexuality (as usual) and questions of the bonds of friendship. If you've seen Berger's wonderful "Plan B" or "Sexual Tension" "Absent" or "Hawaii" you've see most of the tricks and many of the shots also used in this movie as well as pacing, shot composition, and narrative exploration before, but in a better movie than this one.