The second (small) screen version of Stephen Kings' short story stars David Anders and Kandyse McClure as the couple Burt and Vicky Stanton. Burt & Vicky, whose relationship has turned utterly venomous, are travelling cross country. On their way through Nebraska, they run down a child in the road - only for Burt to realize that the kid was basically dead before they hit him; his throat was slashed. Making it to the nearby tiny town of Gatlin, they are soon confronting the towns' children, who have turned murderous and now pray to a different sort of God named "He Who Walks Behind the Rows".
This version is scripted by King himself and director Donald P. Borchers, who'd produced the 1984 feature film. Unlike the original, "Children of the Corn" '09 is scrupulously faithful to the story. (Not that being faithful is always necessarily a good thing.) Burt and Vicky are NOT getting along to begin with, so their current situation only makes things worse. Problem with this is that you'll probably find it hard to care about this idiot couple. He comes off slightly better, but only because he's more low key and isn't nearly as insufferable as she is. He's still a stubborn dummy, of course, and their inability to get the Hell out of Dodge before the excrement hits the fan merely serves to seal their fate.
One new wrinkle this time is to make Burt & Vicky an inter-racial couple, not that it actually adds anything to the story. That element is just sort of there. The King / Borchers teleplay also goes awfully heavy on the 'Nam parallels, making Burt a veteran who ends up flashing back to his time in the service. There's also some good old fashioned sex to spice things up a little.
The original film may have been laughable, and ultimately cheesy, but at least it had more personality, and was more entertaining, than this. It's not good when you can't bring yourself to root for the protagonists. Anders and McClure do whatever they're capable of with these roles, but they're easily outshone by Daniel Newman, as Malachai, and Preston Bailey, as the intense boy preacher Issac. Still, these two kids aren't going to stick in your memory the way that Courtney Gains and John Franklin do.
One worthy component is the music by Jonathan Elias (who scored the '84 film) and Nathaniel Morgan. Robert Kurtzman supplies the decent enough gore.
This viewer didn't hate this adaptation nearly as much as some people, but will concede that the '84 film shows people a generally better time, despite its utterly goofy, upbeat ending.
If you stick it out to the bitter end, there IS a final scene following the end credits.
Six out of 10.
This version is scripted by King himself and director Donald P. Borchers, who'd produced the 1984 feature film. Unlike the original, "Children of the Corn" '09 is scrupulously faithful to the story. (Not that being faithful is always necessarily a good thing.) Burt and Vicky are NOT getting along to begin with, so their current situation only makes things worse. Problem with this is that you'll probably find it hard to care about this idiot couple. He comes off slightly better, but only because he's more low key and isn't nearly as insufferable as she is. He's still a stubborn dummy, of course, and their inability to get the Hell out of Dodge before the excrement hits the fan merely serves to seal their fate.
One new wrinkle this time is to make Burt & Vicky an inter-racial couple, not that it actually adds anything to the story. That element is just sort of there. The King / Borchers teleplay also goes awfully heavy on the 'Nam parallels, making Burt a veteran who ends up flashing back to his time in the service. There's also some good old fashioned sex to spice things up a little.
The original film may have been laughable, and ultimately cheesy, but at least it had more personality, and was more entertaining, than this. It's not good when you can't bring yourself to root for the protagonists. Anders and McClure do whatever they're capable of with these roles, but they're easily outshone by Daniel Newman, as Malachai, and Preston Bailey, as the intense boy preacher Issac. Still, these two kids aren't going to stick in your memory the way that Courtney Gains and John Franklin do.
One worthy component is the music by Jonathan Elias (who scored the '84 film) and Nathaniel Morgan. Robert Kurtzman supplies the decent enough gore.
This viewer didn't hate this adaptation nearly as much as some people, but will concede that the '84 film shows people a generally better time, despite its utterly goofy, upbeat ending.
If you stick it out to the bitter end, there IS a final scene following the end credits.
Six out of 10.