Describing what could happen in the future, the film combines formulaic character subplots with terrific visuals in the second half to convey a fictional but realistic story of people caught up in their own private dramas before and during a devastating earthquake.
There are a couple of problems here. The first relates to the subplots; there are too many, resulting in an unnecessarily long run-time of about three hours. The assassination subplot seemed a bit hokey. At least 30 minutes probably could have been cut out without affecting the quality of the overall story. Because of so many speaking parts, I lost track of how some characters connected to other characters.
Also, the sound quality in the copy I watched was not very good. At times I could not understand the dialogue; it seemed muffled.
But of course viewers aren't really watching the film for the melodrama. They're watching for the disaster that's about to befall the characters. And the visuals during and after the earthquake are spectacular, every bit as good as in the 1974 film "Earthquake", if not better. Attention to detail is terrific. A lot of time and effort went into the visuals of this film, and it shows.
Casting of main parts is fine; the cast of extras is enormous. Overall acting is average, though I thought Joanna Kerns, as the lead character, gave an especially credible performance. Production design was far higher here than we would expect for a TV movie.
And I think it is indeed the "TV movie" label that brings down the cumulative rating for this film. Actually, "The Big One" is closer to a blockbuster theatrical release than it is to the stereotyped image of made-for-TV movie that viewers have come to expect. Unnecessarily lengthy subplots notwithstanding, if the viewer can watch the film for what it is, sans TV label, the viewer will enjoy it all the more.
There are a couple of problems here. The first relates to the subplots; there are too many, resulting in an unnecessarily long run-time of about three hours. The assassination subplot seemed a bit hokey. At least 30 minutes probably could have been cut out without affecting the quality of the overall story. Because of so many speaking parts, I lost track of how some characters connected to other characters.
Also, the sound quality in the copy I watched was not very good. At times I could not understand the dialogue; it seemed muffled.
But of course viewers aren't really watching the film for the melodrama. They're watching for the disaster that's about to befall the characters. And the visuals during and after the earthquake are spectacular, every bit as good as in the 1974 film "Earthquake", if not better. Attention to detail is terrific. A lot of time and effort went into the visuals of this film, and it shows.
Casting of main parts is fine; the cast of extras is enormous. Overall acting is average, though I thought Joanna Kerns, as the lead character, gave an especially credible performance. Production design was far higher here than we would expect for a TV movie.
And I think it is indeed the "TV movie" label that brings down the cumulative rating for this film. Actually, "The Big One" is closer to a blockbuster theatrical release than it is to the stereotyped image of made-for-TV movie that viewers have come to expect. Unnecessarily lengthy subplots notwithstanding, if the viewer can watch the film for what it is, sans TV label, the viewer will enjoy it all the more.