The title appears, barely legible, in blocks, on screen for nineteen slow seconds, before being smashed with the title object. We, the audience, are then seemingly beaten over the head with some of the poorest picture quality imaginable, even for shot-on-video flick, during the opening title sequence, while an imitation of the Phantasm theme is played.
Obnoxious, amateur actors/ amateur porn stars gather in a farmhouse where, ten hyperbolic years earlier ( because nine years is never enough time, but eleven years is always too much time ) a double murder was committed. At one point, the filmmakers seemingly forgot they were doing a slasher film, and meander into a food fight, which lasts for nearly eight minutes, before setting up a seance, to contact the spirit of the killer from a decade earlier. " Some of you may have already heard what I'm about to tell you, " Mr. Polo Shirt informs us. We all have, because at this point, the filmmakers pad out the run time with a lengthy expositional flashback to the first scene from this very movie, in a Friday the 13th part 2- inspired bit, telling the audience what we already know. Two of these dip****s are later killed with a sledgehammer, which prompts another dip**** to ask, " Any clues? " Perhaps the sledgehammer, and the dead bodies themselves, which they move, because they're all drunken morons? They remain in murder house overnight, basically waiting to be killed. The ghost/ killer/ whatever he is materialises/ crawls out of the woodwork, to off these nitwits one by one, and they kind of, sort of, fight for their lives.
The cast:
Chuck, seemingly cast for his muscular physique, and willingness to wear a polo shirt.
Joni: completely forgettable.
John: This guy just sucked.
Mary: kind of pretty, but has the same awful 80s perm as Joni.
Jimmy: looks likes he's killing time until the next Hall and Oates concert, or until he and Mary and Joni go have their hair permed at the same place.
Carol: probably the best of an admittedly lousy cast, but with the same perm hairdo as the rest of them.
Joey : I don't even remember this guy, but I'm sure he sucked.
Lover: sucked.
Mother: tolerable, but she and Jimmy and Mary and Joni look like they all have the same hairstylist, who only knowshow to do that same perm.
The boy: was a lame villain.
Killer: was he the killer? I thought it was the boy?
The driver: why was he even here?
But for all the grief and aggravation, I must admit I watched this film twice this month, before writing this review. It has some occasionally inspired camera-work, especially during the climax, among static shots of hallways. The music score is eerily effective, it reminded me a bit of German industrial band Einsturzende Neubauten, particularly their record, Zeichnungen des Patienten O. T. Plus, the added terror of a killer stalking his victims in their own home is a terrifying thought in and of itself. Gore fans should find enough in the ending to make it worthwhile, too.
I'm not saying this is * good *, but there are worse movies out there, like Blood Massacre, for example. Without the opening and closing credits, this is only 74 minutes long. Without the use of slow motion, it might only be about 20 minutes long.
Obnoxious, amateur actors/ amateur porn stars gather in a farmhouse where, ten hyperbolic years earlier ( because nine years is never enough time, but eleven years is always too much time ) a double murder was committed. At one point, the filmmakers seemingly forgot they were doing a slasher film, and meander into a food fight, which lasts for nearly eight minutes, before setting up a seance, to contact the spirit of the killer from a decade earlier. " Some of you may have already heard what I'm about to tell you, " Mr. Polo Shirt informs us. We all have, because at this point, the filmmakers pad out the run time with a lengthy expositional flashback to the first scene from this very movie, in a Friday the 13th part 2- inspired bit, telling the audience what we already know. Two of these dip****s are later killed with a sledgehammer, which prompts another dip**** to ask, " Any clues? " Perhaps the sledgehammer, and the dead bodies themselves, which they move, because they're all drunken morons? They remain in murder house overnight, basically waiting to be killed. The ghost/ killer/ whatever he is materialises/ crawls out of the woodwork, to off these nitwits one by one, and they kind of, sort of, fight for their lives.
The cast:
Chuck, seemingly cast for his muscular physique, and willingness to wear a polo shirt.
Joni: completely forgettable.
John: This guy just sucked.
Mary: kind of pretty, but has the same awful 80s perm as Joni.
Jimmy: looks likes he's killing time until the next Hall and Oates concert, or until he and Mary and Joni go have their hair permed at the same place.
Carol: probably the best of an admittedly lousy cast, but with the same perm hairdo as the rest of them.
Joey : I don't even remember this guy, but I'm sure he sucked.
Lover: sucked.
Mother: tolerable, but she and Jimmy and Mary and Joni look like they all have the same hairstylist, who only knowshow to do that same perm.
The boy: was a lame villain.
Killer: was he the killer? I thought it was the boy?
The driver: why was he even here?
But for all the grief and aggravation, I must admit I watched this film twice this month, before writing this review. It has some occasionally inspired camera-work, especially during the climax, among static shots of hallways. The music score is eerily effective, it reminded me a bit of German industrial band Einsturzende Neubauten, particularly their record, Zeichnungen des Patienten O. T. Plus, the added terror of a killer stalking his victims in their own home is a terrifying thought in and of itself. Gore fans should find enough in the ending to make it worthwhile, too.
I'm not saying this is * good *, but there are worse movies out there, like Blood Massacre, for example. Without the opening and closing credits, this is only 74 minutes long. Without the use of slow motion, it might only be about 20 minutes long.