These days I rarely enter an IMDb review. And when I have in the past it has usually been to offer an under-represented opinion. Here goes:
I suspect that some critics are triggered by bits that appear in trailers for the film, like the running joke that Will Ferrell kisses his father John Lithgow as Mel makes wry commentary on it. What someone today might call "gay panic" or "homophobia" is actually better described as CULTURE SHOCK, a term without so much judgment. It is all part of a character arc and effectively underscores the difference in parenting styles at the heart of the movie's conflicts.
This movie opened on my father's birthday, which might have been a good time to see it (or a terrible weepy time) but I had to work. I finally saw it and had the cinema all to myself on a Friday afternoon. The movie deserves more success. It is about on par with most Christmas dysfunction movies like Christmas Vacation. Watching a few of the set-piece moments, especially where they culminate, I am flabbergasted that critics have been hostile. Rotten Tomatoes guaranteed fresh the remake of Ghostbusters and this movie gets a splat? Something is rotten besides tomatoes in the state of Denmark.
The movie skewers gun safety, drinking, and Christmas rituals --- while introducing something I've never heard of: Do people dress as characters in public Nativity scenes? Overall, I found the movie pleasant and mild. The actors are all charming, even the model girlfriend who actually does have a discrete character that isn't quite a cliché.
You can safely disregard any review by a Mel Gibson hater. Adam Carolla's co-host reported Mel saying some quite correct and positive things about the trend of holding abusers accountable, but then she couldn't resist what she called a "refresher" on Mel's past troubles. Those kinds of "refreshers" tend to leave out CONTEXT!!!! and also tend to omit the factor of alcoholism and bipolar disorder, two valid obstacles which I am pleased to see him overcome. He is quite funny in this. I hope he keeps acting (and directing).
There is a fun movie within a movie that is an interesting commentary on Hollywood taste. The movie had me laughing (albeit alone in an otherwise empty theatre) and pretty much smiling the rest of the time. I found it to be a notch better and funnier than the original. Will and Mark are a bit more grounded here. The one scene that didn't work for me as physical comedy was a snow blower catching a string of Christmas lights and pulling it dangerously around, only because it reminded me of a cable snapping in the Piranha remake and slicing someone. The possibility of serious injury was prolonged a few seconds too much. But most of the movie is about little mundane moments and conflicts people can rise above. The ending is Christmas Movie cheesy and that is okay with me.
I suspect that some critics are triggered by bits that appear in trailers for the film, like the running joke that Will Ferrell kisses his father John Lithgow as Mel makes wry commentary on it. What someone today might call "gay panic" or "homophobia" is actually better described as CULTURE SHOCK, a term without so much judgment. It is all part of a character arc and effectively underscores the difference in parenting styles at the heart of the movie's conflicts.
This movie opened on my father's birthday, which might have been a good time to see it (or a terrible weepy time) but I had to work. I finally saw it and had the cinema all to myself on a Friday afternoon. The movie deserves more success. It is about on par with most Christmas dysfunction movies like Christmas Vacation. Watching a few of the set-piece moments, especially where they culminate, I am flabbergasted that critics have been hostile. Rotten Tomatoes guaranteed fresh the remake of Ghostbusters and this movie gets a splat? Something is rotten besides tomatoes in the state of Denmark.
The movie skewers gun safety, drinking, and Christmas rituals --- while introducing something I've never heard of: Do people dress as characters in public Nativity scenes? Overall, I found the movie pleasant and mild. The actors are all charming, even the model girlfriend who actually does have a discrete character that isn't quite a cliché.
You can safely disregard any review by a Mel Gibson hater. Adam Carolla's co-host reported Mel saying some quite correct and positive things about the trend of holding abusers accountable, but then she couldn't resist what she called a "refresher" on Mel's past troubles. Those kinds of "refreshers" tend to leave out CONTEXT!!!! and also tend to omit the factor of alcoholism and bipolar disorder, two valid obstacles which I am pleased to see him overcome. He is quite funny in this. I hope he keeps acting (and directing).
There is a fun movie within a movie that is an interesting commentary on Hollywood taste. The movie had me laughing (albeit alone in an otherwise empty theatre) and pretty much smiling the rest of the time. I found it to be a notch better and funnier than the original. Will and Mark are a bit more grounded here. The one scene that didn't work for me as physical comedy was a snow blower catching a string of Christmas lights and pulling it dangerously around, only because it reminded me of a cable snapping in the Piranha remake and slicing someone. The possibility of serious injury was prolonged a few seconds too much. But most of the movie is about little mundane moments and conflicts people can rise above. The ending is Christmas Movie cheesy and that is okay with me.