As I purchased the tickets for this one, I said, " Bad Mom's Christmas, although I'll probably regret it " Some girl standing in the line next to me said, " You won't regret it. Go for it. "
I wish I had run into her again, after the movie, just so I could tell her how much I regret it after all.
I was really, really annoyed by this movie, because we get this exact same movie every year. You know the routine: dysfunctional, extended family reunites for the holidays, personalities clash, hilarity ensues, they must put aside their differences, more hilarity ensues because PLOT. Regardless of what happens, we know there will be a dance routine in the penultimate scene, rounded up with a contrived, seemingly contractually obligated happy ending, again, because PLOT.
I didn't see the first film, and went to see this only because it was Thanksgiving, and I was on a binge watch at the cinema all day, catching up on recent releases I've missed ( this movie, followed by Daddy's Home 2, and The Man Who Invented Christmas, concluding with a rewatch of The Shining ) , and because Mila Kunis is still very attractive, and I'll admit, I was a bit unclear of the characters' names until about 30 minutes in. I was also unsure why hasn't 32 years old Mila stood up to her mother yet, rather than acting like a scared, timid child, every time her mother calls her fat, or undermines her in front of her family? that subplot is depressing and grating, while the clingy mom subplot was creepy as hell ( she has her grown daughter's face emblazoned on her sweaters, watches her having sex with her husband, tells her she has a variety of fatal diseases just for sympathy, and even * buys * the house next door to her, just to be near her! Boundaries, bitch! That's not funny, that's stalker material, but Merry Christmas. )
Random " celebrity " cameo: Kenny G., who has one funny line, after Mila Kunis tells him to take his flute and leave her home, he responds, " It's not a flute, bitch ... ! "
There's a huge, on-going argument between Mila and her mother's character, who wants to lavishly decorate her home for Christmas, while Mila wants a modest Christmas. Who cares? If the bitch wants to decorate her home lavishly, and AT HER OEN EXPENSE, who cares? Let Mila quietly tell her kids " We'll have a quite Christmas next year, but for now, let's just let her decorate, she's paying for everything "
One of the bad ( grand ) moms is named Isis, like the terrorist organisation. Seriously. That's the joke, and it's funny because movie.
They get drunk in a mall, at lunchtime, and take naughty photos with an elderly Santa, and again, it's funny because movie.
I face palmed so much when, in the penultimate scene, the Sexy Santa announced he was going to " express his feelings through dance ".
Random and disjointed, it's a series of barely connected vignettes, linked together only by cast, and quite frankly, this looks like it was only the first draft of the script, fleshed out with ad- libs, and dance routines.
If you absolutely * must * watch this, see if you can figure why the first two thirds of the story are told through flashback?
I wish I had run into her again, after the movie, just so I could tell her how much I regret it after all.
I was really, really annoyed by this movie, because we get this exact same movie every year. You know the routine: dysfunctional, extended family reunites for the holidays, personalities clash, hilarity ensues, they must put aside their differences, more hilarity ensues because PLOT. Regardless of what happens, we know there will be a dance routine in the penultimate scene, rounded up with a contrived, seemingly contractually obligated happy ending, again, because PLOT.
I didn't see the first film, and went to see this only because it was Thanksgiving, and I was on a binge watch at the cinema all day, catching up on recent releases I've missed ( this movie, followed by Daddy's Home 2, and The Man Who Invented Christmas, concluding with a rewatch of The Shining ) , and because Mila Kunis is still very attractive, and I'll admit, I was a bit unclear of the characters' names until about 30 minutes in. I was also unsure why hasn't 32 years old Mila stood up to her mother yet, rather than acting like a scared, timid child, every time her mother calls her fat, or undermines her in front of her family? that subplot is depressing and grating, while the clingy mom subplot was creepy as hell ( she has her grown daughter's face emblazoned on her sweaters, watches her having sex with her husband, tells her she has a variety of fatal diseases just for sympathy, and even * buys * the house next door to her, just to be near her! Boundaries, bitch! That's not funny, that's stalker material, but Merry Christmas. )
Random " celebrity " cameo: Kenny G., who has one funny line, after Mila Kunis tells him to take his flute and leave her home, he responds, " It's not a flute, bitch ... ! "
There's a huge, on-going argument between Mila and her mother's character, who wants to lavishly decorate her home for Christmas, while Mila wants a modest Christmas. Who cares? If the bitch wants to decorate her home lavishly, and AT HER OEN EXPENSE, who cares? Let Mila quietly tell her kids " We'll have a quite Christmas next year, but for now, let's just let her decorate, she's paying for everything "
One of the bad ( grand ) moms is named Isis, like the terrorist organisation. Seriously. That's the joke, and it's funny because movie.
They get drunk in a mall, at lunchtime, and take naughty photos with an elderly Santa, and again, it's funny because movie.
I face palmed so much when, in the penultimate scene, the Sexy Santa announced he was going to " express his feelings through dance ".
Random and disjointed, it's a series of barely connected vignettes, linked together only by cast, and quite frankly, this looks like it was only the first draft of the script, fleshed out with ad- libs, and dance routines.
If you absolutely * must * watch this, see if you can figure why the first two thirds of the story are told through flashback?