The film plots the response of the British royal family to the death of Princess Diana in a car accident in 1997. Tension focuses on the idea that, in contrast to the general public, the Royals didn't much care for Diana. In one scene, Prime Minister Blair (Michael Sheen), in tune with the public's mood, talks on the phone with the Queen; they're discussing how the monarchy should respond to Diana's death. After a tense and difficult conversation, Blair concludes by saying: "let's keep in touch". To which the Queen, in an icy voice, responds curtly: "Yes, let's", then hangs up. "The Queen" is a good movie.
In the film, the Queen (Helen Mirren) comes across as dignified, disciplined, confident, unemotional but brooding, perceptive, stoic, and fond of protocol and tradition. Blair comes across as informal, perceptive, jovial, and easy to relate to. Differences in their personalities are blatant and obvious.
In addition to a delicate script that zips along at a good clip, the film's production design is terrific. Though palace interiors are probably tacky in comparison to what the real British palaces must look like, the film crew does a fine job with the budget they had to work with. Ditto the credible costumes. Cinematography is fine. Casting is ideal.
A couple of concerns keep the film from being really great. There's a bit too much screen time spent on the "stag" hunt in the North. And in those scenes, I wouldn't have thought that the Queen actually drives a car herself, or wears a scarf. And second, and more important, you get the feeling that the film was made in direct response to the death of Diana; otherwise, the film would never have been made. If that's true, then it's Diana who is the real story here, and the title is thus a tad disingenuous.
Despite my problem with the film's reason for being, "The Queen" is a fascinating drama. Helen Mirren's understated performance is wonderful, and boosts the overall quality tremendously. It's a film well worth watching.
In the film, the Queen (Helen Mirren) comes across as dignified, disciplined, confident, unemotional but brooding, perceptive, stoic, and fond of protocol and tradition. Blair comes across as informal, perceptive, jovial, and easy to relate to. Differences in their personalities are blatant and obvious.
In addition to a delicate script that zips along at a good clip, the film's production design is terrific. Though palace interiors are probably tacky in comparison to what the real British palaces must look like, the film crew does a fine job with the budget they had to work with. Ditto the credible costumes. Cinematography is fine. Casting is ideal.
A couple of concerns keep the film from being really great. There's a bit too much screen time spent on the "stag" hunt in the North. And in those scenes, I wouldn't have thought that the Queen actually drives a car herself, or wears a scarf. And second, and more important, you get the feeling that the film was made in direct response to the death of Diana; otherwise, the film would never have been made. If that's true, then it's Diana who is the real story here, and the title is thus a tad disingenuous.
Despite my problem with the film's reason for being, "The Queen" is a fascinating drama. Helen Mirren's understated performance is wonderful, and boosts the overall quality tremendously. It's a film well worth watching.