Django. Director/Writer Etienne Comar (primarily a Producer "Of God and Men" 2010) brings forth yet another amazing untold story about the German occupancy, this time set in Paris. This poignant music filled production chronicles the life of gypsy musician Django Reinhardt (Red Kateb "Zero Dark Thirty" 2012). When Django (who became a renown European Jazz and Gypsy Swing aficionado) and his band "Hot Quintet" is hired to entertain Nazi's in Germany, at a time when Jazz, the Blues and certain percussion instruments and musical beats were forbidden, the event turns hostile and soon his family and friends are forbidden to live their encampment, the young are forced to join the resistance, and soon he flees for his life. Comar starts the film with camera work that is too jumpy and too close to its characters to understand what and why things are happening. However, once he abandons this format, and steps back and establishes the environment (beautiful cinematography by Christophe Beaucarne) and begins to tell the story, the film gains its footing and never lets go. The musical presentation (music by Warren Ellis) in this film, especially the final concert, are mesmerizing and not to be missed. I don't know if Kateb actually performed the various guitar arrangements, but if he did, his performance is to be rewarded. Supporting Django in a successful minor role is his wife Naguine (Bea Playa), his mother Negros (Bombay Merstein) with her spirited personality, his resistance lover Louise de Klerk (Cecile De France) and his various bandmates. I have to say, I was not initially sold on this film. However, when the story of survival presented itself, set against the beautiful music and harsh realities of the WWII Nazi occupancy, I couldn't help but become fully invested in the presentation. This film was screened at the Palm Springs International Film Festival #PSIFF2018