Which is how the studio PR Dept described Lana in her next few movies, significantly just after the male moviegoing public digested this one. As a B-grade comedy, it is simply that. As a Turner vehicle on the upward arc of her career it is something else. You were almost a decade into the Hayes Code and if you were looking for something a little higher octane than the typical Hollywood assembly line product, this was your stop. Turner, born in 1921, was a legitimate teen herself -- this was decades before Hollywood started casting "older for younger" -- and in short skirts, short shorts, and closeups, she steals the film at a felony level.