Rutger Hauer does a typically fine job as Jim Malden, a nature-loving recluse who lives on a privately owned island. Taking care of the animals there is everything to him. A local store keeper, Stella Clayton (a radiant Kathleen Turner), is obviously sweet on him, but he has a knack for pushing people away. (He's one of those movie characters who has turned his back on society after tragedy in his past.) Into their lives comes Mike (Powers Boothe), an expert mountain climber. Mike needs a lot of money for his latest ambitious venture, and hooks up with a creepy collector (Donald Pleasence), who's offered him six figures to steal some bald eagle eggs; these eggs belong to a new (fictional) subspecies that are bigger than ordinary bald eagles.
Directed by cult favourite Philippe Mora ("Mad Dog Morgan", "The Beast Within", "Howling" II and III), "A Breed Apart" is the kind of film more noteworthy for its good intentions than for whatever it actually accomplishes. However, while the script seems to be full of unresolved subplots, this is supposedly because one full reel disappeared while en route from North Carolina to California. The human stories have some appeal, but are trite compared to some of the films' bigger messages and majestic outdoors scenery. One cliched plot point has a pair of braindead, yahoo hunters played by Brion James and John Dennis Johnston seeking revenge against Malden. This leads to predictable developments.
The biggest question that Paul Wheelers' script poses is whether or not Mike will exit the somewhat grey moral area that he currently occupies. The man is something of an enigma, and delights in wasting the time of a sexy reporter (Jayne Bentzen) looking for her big breakthrough story.
The actors are entertaining to watch. Hauer is playing a cliched character (a "noble savage" as Mike calls him), and the charismatic Boothe and the lovely Turner have more interesting roles to play. Pleasence is effective in his select few scenes; James and Johnston are standard-issue but amusing redneck antagonists. (The latter is a semi-regular in the films of Mora.)
Notable for an atmospheric electronic score composed by Maurice Gibb of the Bee-Gees, and its exquisite photography by Geoffrey Stephenson.
In real life, the bald eagle WAS at risk of becoming extinct in 1984, but fortunately its numbers subsequently improved.
Seven out of 10.
Directed by cult favourite Philippe Mora ("Mad Dog Morgan", "The Beast Within", "Howling" II and III), "A Breed Apart" is the kind of film more noteworthy for its good intentions than for whatever it actually accomplishes. However, while the script seems to be full of unresolved subplots, this is supposedly because one full reel disappeared while en route from North Carolina to California. The human stories have some appeal, but are trite compared to some of the films' bigger messages and majestic outdoors scenery. One cliched plot point has a pair of braindead, yahoo hunters played by Brion James and John Dennis Johnston seeking revenge against Malden. This leads to predictable developments.
The biggest question that Paul Wheelers' script poses is whether or not Mike will exit the somewhat grey moral area that he currently occupies. The man is something of an enigma, and delights in wasting the time of a sexy reporter (Jayne Bentzen) looking for her big breakthrough story.
The actors are entertaining to watch. Hauer is playing a cliched character (a "noble savage" as Mike calls him), and the charismatic Boothe and the lovely Turner have more interesting roles to play. Pleasence is effective in his select few scenes; James and Johnston are standard-issue but amusing redneck antagonists. (The latter is a semi-regular in the films of Mora.)
Notable for an atmospheric electronic score composed by Maurice Gibb of the Bee-Gees, and its exquisite photography by Geoffrey Stephenson.
In real life, the bald eagle WAS at risk of becoming extinct in 1984, but fortunately its numbers subsequently improved.
Seven out of 10.