This is the silliest stuff that ever I heard ...
17 July 2019
Warning: Spoilers
Middleton's play, as it is, serves to set off the brilliance of Shakespeare. When hearing the lines in "The Revenger's Tragedy", one is flabbergasted at the thought that this dribble could attract an audience at the Globe and the Blackfriars in between "King Lear", "Macbeth" and "Winter's Tale". All Middleton's characters are utterly one-dimensional, and the villains - of which we have a handful - are so flat that they make Cruella DeVil look like Hedda Gabler by comparison. Dialogue and plot are insipid and inane, playing entirely for shock value as we skip through rape, necrophilia and murder. The dramaturgy is as flat as the characters; we are told the same things over and over, so to say the plot lacks development is in fact a stretch - at times it virtually seems to go backwards, until the final ten minutes when all the characters snuff it - not a minute too soon. Thus much for Middleton's play; this film version doesn't help him one bit. The acting is surprisingly amateurish, even from otherwise great professionals like Eccleston, Quick and Jacobi. "The Revenger's Tragedy" is down there with the razziest works in film history, say, "Reptilicus" and "Plan 9 from Outer Space". And for this reason alone, it's worth a watch. It gives you an opportunity to reflect on what makes a good film good, and why Middleton is no Shakespeare.
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