Dang. Can we get some more arthouse action movies like this, please? This movie was a freaking blast.
"Let the Corpses Tan" is a highly stylized neo-spaghetti western (complete with a Morricone score!), and for all I know it's a pioneer in it's genre, because I've never seen anything like this: it's exciting, sometimes intense, and undeniably weird. To be fair, the weirdness in this movie works wonders up to a point, but there are other moments where I had no idea what the hell was going on, because (dare I say it, and risk angering the cinephiles?) the film was a bit too stylized at times, particularly when it came to the frenetically paced editing during the shootouts, and the rapid back and forth flitting between time. Still, if you've got a smidge of patience and a bit of imagination, you can totally understand what the directors are getting at, even if they are showing the audience a fully nude woman whose been painted gold and is peeing on a man's head whose been buried up to his neck.
It makes sense, trust me; you've just got to work with the movie.
"Let the Corpses Tan" is a highly stylized neo-spaghetti western (complete with a Morricone score!), and for all I know it's a pioneer in it's genre, because I've never seen anything like this: it's exciting, sometimes intense, and undeniably weird. To be fair, the weirdness in this movie works wonders up to a point, but there are other moments where I had no idea what the hell was going on, because (dare I say it, and risk angering the cinephiles?) the film was a bit too stylized at times, particularly when it came to the frenetically paced editing during the shootouts, and the rapid back and forth flitting between time. Still, if you've got a smidge of patience and a bit of imagination, you can totally understand what the directors are getting at, even if they are showing the audience a fully nude woman whose been painted gold and is peeing on a man's head whose been buried up to his neck.
It makes sense, trust me; you've just got to work with the movie.