Bus passengers forced to take refuge from the snow in an isolated church stumble upon a hobo who might be more than he seems. Carole Lombard's first talking picture is a sluggish drama that doesn't really know what to do with all but two of its characters. Similarities in the traveller's situation with those in The Hateful Eight is evident, but it's unlikely that anyone could draw inspiration from something so dull.
Review of High Voltage
