Spanish terror has been a source of good films over the past few years, many of them even frankly better than their American competitors. However, after having seen this film, I think it is one of the weakest and least interesting Spanish horror films I have ever seen.
The whole story revolves around the mysterious suicide of Daniella's father. Very shaken by these loss, she visits her mother, who is in a psychiatric ward, in order to give her the news, but she calls her by another name. This small fact, associated with the desecration of her father's grave and the appearance of a disturbed stranger who claims to be her real father, set the girl on a search for the real reasons why her father decided to kill himself, discovering that he was associated with a ancient ultra-radical religious sect: the Abramites.
Well, the film has good premises and begins from a promising starting point. But everything is so slow and the film drags on so much that it becomes tiring and, after a certain moment, predictable. Another problem with this film, I think, is that it delivers much of the mystery too soon, taking away from the story a lot of strength and impact. The tension that is almost a prerogative of Spanish horror is so thin and arises so sparse that it hardly feels. The ending is, at the very least, a disappointment. I don't mean to say that all films should have a happy ending, but I think it was a weak ending to what the film promised.
The cast is headed by Erica Prior, who does what she can but does not have, I think, the ability and experience to do better. Perhaps the bet on a more experienced or charismatic actress would have been better. Craig Hill was convincing in his role, along with his real-life wife, Teresa Gimpera. Craig Stevenson, John O'Toole and Frank O'Sullivan do well in what they can do, but they are not enough to support the film, they just give as much support as possible. The rest just appear.
Technically, it is a regular film that does not stand out in any way. The best technical aspect here is the good cinematography, dark and misty, essential to keep the tension that the film, at cost, is able to build. Soundtrack also helps, but it doesn't stand out. The song at the ending seemed especially unreasonable. It could have been maintained but without voice, like an instrumental or piano solo, achieving in this way, I believe, much more impact.
The whole story revolves around the mysterious suicide of Daniella's father. Very shaken by these loss, she visits her mother, who is in a psychiatric ward, in order to give her the news, but she calls her by another name. This small fact, associated with the desecration of her father's grave and the appearance of a disturbed stranger who claims to be her real father, set the girl on a search for the real reasons why her father decided to kill himself, discovering that he was associated with a ancient ultra-radical religious sect: the Abramites.
Well, the film has good premises and begins from a promising starting point. But everything is so slow and the film drags on so much that it becomes tiring and, after a certain moment, predictable. Another problem with this film, I think, is that it delivers much of the mystery too soon, taking away from the story a lot of strength and impact. The tension that is almost a prerogative of Spanish horror is so thin and arises so sparse that it hardly feels. The ending is, at the very least, a disappointment. I don't mean to say that all films should have a happy ending, but I think it was a weak ending to what the film promised.
The cast is headed by Erica Prior, who does what she can but does not have, I think, the ability and experience to do better. Perhaps the bet on a more experienced or charismatic actress would have been better. Craig Hill was convincing in his role, along with his real-life wife, Teresa Gimpera. Craig Stevenson, John O'Toole and Frank O'Sullivan do well in what they can do, but they are not enough to support the film, they just give as much support as possible. The rest just appear.
Technically, it is a regular film that does not stand out in any way. The best technical aspect here is the good cinematography, dark and misty, essential to keep the tension that the film, at cost, is able to build. Soundtrack also helps, but it doesn't stand out. The song at the ending seemed especially unreasonable. It could have been maintained but without voice, like an instrumental or piano solo, achieving in this way, I believe, much more impact.