Coda centers itself on the coda of fictional pianist, Sir Henry Cole. A true Meastro, who has dedicated his life to the art of the classical piano, he is now at the end of his path, and finds himself lost and looking for clarity.
Patrick Stewart brings a stillness and meditative grumpiness to the role and is supported by Katie Holmes as a writer for the New Yorker who finds herself drawn to Cole's enigmatic loss.Giancarlo Espacito (Breaking Bad) is excellent as Cole's agent, as is Christophe Gaugler as the night porter.
This is an actor's film, if you like nuance, thought, pause and Beethoven then this is rewarding. The direction by Claude Lalonde is good, particularly the pacing and framing. But this is Patrick Stewart's film, he takes Louis Gadbout's script, and delivers a beautiful performance.
This is a film about the piano and it's demands, but not in an overdramtic way, it rather questions artistry and what it means to reach the coda. This viewer enjoyed it very much and found the change of tempo a refreshing change.
Patrick Stewart brings a stillness and meditative grumpiness to the role and is supported by Katie Holmes as a writer for the New Yorker who finds herself drawn to Cole's enigmatic loss.Giancarlo Espacito (Breaking Bad) is excellent as Cole's agent, as is Christophe Gaugler as the night porter.
This is an actor's film, if you like nuance, thought, pause and Beethoven then this is rewarding. The direction by Claude Lalonde is good, particularly the pacing and framing. But this is Patrick Stewart's film, he takes Louis Gadbout's script, and delivers a beautiful performance.
This is a film about the piano and it's demands, but not in an overdramtic way, it rather questions artistry and what it means to reach the coda. This viewer enjoyed it very much and found the change of tempo a refreshing change.