This second feature (in '67 he directed the animated film Théâtre de Monsieur & Madame Kabal which followed short films, again with animation awarded throughout Europe), the first with actors, reveals his remarkable aesthetic skills (before his film career he had dedicated himself to the figurative arts). The use of degraded scenography enhanced by black and white photography, represent the right background for a stylized history of oppression (he will go into voluntary exile in France in strong controversy with the communist regime of his country) and desire that will lay the foundations for the stylistic elements of his future films. The director, best known for his erotic works, should be rediscovered for these early works, useful for an all-round view of his cinema.