An up-and-coming delivery monster aspires to become the world #1 toenail delivery gangster.
In an unconventional move first popularised in the nose-harvesters quadrilogy but since fading into obscurity, the film begins at the start of the film. The graphic portrayal of mild toenail addiction may be too close to the home bone for many, it certainly was for me so I had to immediately stop directing the film and burn all traces of it. But yes, I agree with you, this is something parallel in importance to the creation of the universe or the invention of sausage skin, so people do need to know about it, especially children of the stones.
The toenail delivery monster teams up with an angry British salamander whose name isn't important. Saint Tim Martin of the luncheon meat earwig crew makes a rare cameo in the 51st nanosecond of the film. His racist mumblings are not for everyone, granted, but you can't deny that they they are integral to the first 20nanoseconds of the plot - this is a subtle nod towards Seagal's previous life as the Drink Up Please man in Wetherspoons. It was a brave move for Seagal to star only as the nose flaps in his iconic trotting heritage glasses. But it really did pay off! You did it again, Spielberg!!
The toenail delivery monster teams up with an angry British salamander whose name isn't important. Saint Tim Martin of the luncheon meat earwig crew makes a rare cameo in the 51st nanosecond of the film. His racist mumblings are not for everyone, granted, but you can't deny that they they are integral to the first 20nanoseconds of the plot - this is a subtle nod towards Seagal's previous life as the Drink Up Please man in Wetherspoons. It was a brave move for Seagal to star only as the nose flaps in his iconic trotting heritage glasses. But it really did pay off! You did it again, Spielberg!!