Surrealism/Dadaism in the service of irrationality but also against hierarchies, mostly malign ones as shown in the revolver-target deconstruction. Funny and bold in terms of the angles, the cuts and the (rudumentary) special effects this is film as a revolutionary and radical art; no surprise really that the Nazis denounced it as 'degenerate'. In this sense, the objects' revolt suggest wider networks with humans.
Review of Ghosts Before Breakfast
