The Paramedic is reminiscent of better movies such as Rear Window and Misery, but without sufficient character development, it just feels like an exploitation film, heavy on violence and narcissism. A great deal of the tension generated here is sustained by the fact that the director establishes early on that Angel (an ironic name) is without morals, a guy in the healing professions who routinely steals from the injured and dead. We know that no internal ethics will interfere with his revenge scheme. He won't hesitate to murder anyone who gets in his way. He won't feel remorse or mercy, or change his mind about the evil he is doing, so nothing he does, no matter how vile, surprises us.
Implausibility is high as people keep warning Angel they're going to call the police instead of just going ahead and calling them. Most implausible is that Angel, like a Mafia boss, has his own crime cleanup squad on call for getting rid of pesky bodies. All of this leaves little room for nuance and doesn't allow the mounting tension to ever let up, making this simply unpleasant and difficult to watch rather than engrossing, as a thriller ought to be.
Review of The Paramedic
