Wednesday and Pugsley go to summer camp whilst Uncle Fester falls in love with the babysitter.
This is a movie carried by the performances of the actors who do an exceptionally good job of delivering all the macabre one-liners and embody their characters perfectly.
The plot is pretty uninspired with Fester yet again under the influence of another female villain looking to rob him blind of his share of the Addams fortune. It gets us from start to finish but is largely forgettable, particularly towards the end. That being said, there is a strong level of satire in the writing, particularly towards the values middle-class, white America, which was quite a prominent topic at the time it was made.
All actors are fabulous. Raul Julia oozes charisma and comic timing. He and Angelica Huston have great chemistry as Gomez and Morticia. Christopher Lloyd can do Fester is his sleep and puts all of his usual mad energy into the role. Carole Kane is obviously having fun as Grandmamma Addams. Joan Cusack is almost scenery chewing as Debbie but does superbly well with the material she has to work with.
For me the real stars are the children. Jimmy Workman is wonderfully deadpan as Pugsley. Mercedes McNab is perfect as snobby Amanda Buckman. David Krumholtz does a Woody Allen turn as the hypochondriac kid in love with Wednesday Addams.
Saving the very best performance till last. Christina Ricci is absolutely brilliant as Wednesday and walks away with the movie. Her quick, dry delivery and mannerisms make the character a classic of modern comedies. If you only watch her scenes alone there is enough entertainment to justify the price of a month's subscription to Netflix. There is a brilliant moment when she lights a match and the Addams theme music plays; I never get tired of watching that.
I watched it with my four year old daughter who enjoyed it but had difficulty with the dark humour. Not as much difficulty as I had explaining it though.
This is a movie carried by the performances of the actors who do an exceptionally good job of delivering all the macabre one-liners and embody their characters perfectly.
The plot is pretty uninspired with Fester yet again under the influence of another female villain looking to rob him blind of his share of the Addams fortune. It gets us from start to finish but is largely forgettable, particularly towards the end. That being said, there is a strong level of satire in the writing, particularly towards the values middle-class, white America, which was quite a prominent topic at the time it was made.
All actors are fabulous. Raul Julia oozes charisma and comic timing. He and Angelica Huston have great chemistry as Gomez and Morticia. Christopher Lloyd can do Fester is his sleep and puts all of his usual mad energy into the role. Carole Kane is obviously having fun as Grandmamma Addams. Joan Cusack is almost scenery chewing as Debbie but does superbly well with the material she has to work with.
For me the real stars are the children. Jimmy Workman is wonderfully deadpan as Pugsley. Mercedes McNab is perfect as snobby Amanda Buckman. David Krumholtz does a Woody Allen turn as the hypochondriac kid in love with Wednesday Addams.
Saving the very best performance till last. Christina Ricci is absolutely brilliant as Wednesday and walks away with the movie. Her quick, dry delivery and mannerisms make the character a classic of modern comedies. If you only watch her scenes alone there is enough entertainment to justify the price of a month's subscription to Netflix. There is a brilliant moment when she lights a match and the Addams theme music plays; I never get tired of watching that.
I watched it with my four year old daughter who enjoyed it but had difficulty with the dark humour. Not as much difficulty as I had explaining it though.