As far as 1930s gangster movies are concerned, I was a little disappointed by The Secret Six. I'd heard a lot of hype about it, but it wasn't nearly as captivating as The Roaring Twenties, The Public Enemy, or The Beast of the City, each revolving around bootleggers and policemen out to catch them. Unless you're a big Wallace Beery fan, or you want to see Jean Harlow before her eyebrows, you can rent one of the better ones.
Wallace Beery stars as a gangster who wanted to go straight but gets very quickly seduced by his old crowd and goes to work for bootlegger Ralph Bellamy, who works under mob boss Lewis Stone. I wasn't used to seeing Lewis Stone in such a villainous role, but he certainly made the most of it! Where does Jean Harlow come in? Besides showing off her lovely figure and using her sex appeal to distract a do-gooder reporter from exposing the criminal underworld, she doesn't do much. Wallace Beery hands her a wad of cash as she disappears with the naïve young man, then tells her to report to him in the morning. Yes, folks, this is a pre-Code movie.
I was very impressed by George Hill's direction. For 1931, it was very forward-thinking. The start of the movie shows Wallace walking across the block, and the camera, mounted on an extensive dolly, follows him. The streets are filthy, with puddles and trash, making it seem like it wasn't just any old set in the studio. During the scenes when gangsters are making a stereotypical getaway, the camera shows the driver's point of view, and as pedestrians leap out of the way, the camera swerves, narrowly missing them. It must have been very exciting to watch in 1931!
The plot itself, and the execution of it, isn't very fast-paced or interesting. I'm not the biggest Wallace Beery fan, so I probably wasn't the best audience for the film. Keep your eyes open for Marjorie Rambeau, a stereotypical "rotten tramp", and a pre-mustached Clark Gable who shows his energetic screen presence to the audience with a promising future ahead of him.
DLM Warning: If you suffer from vertigo or dizzy spells, like my mom does, this movie might not be your friend. During the driving scenes, the camera bounces around and swerves to mirror the road, and that will make you sick. In other words, "Don't Look, Mom!"
I was very impressed by George Hill's direction. For 1931, it was very forward-thinking. The start of the movie shows Wallace walking across the block, and the camera, mounted on an extensive dolly, follows him. The streets are filthy, with puddles and trash, making it seem like it wasn't just any old set in the studio. During the scenes when gangsters are making a stereotypical getaway, the camera shows the driver's point of view, and as pedestrians leap out of the way, the camera swerves, narrowly missing them. It must have been very exciting to watch in 1931!
The plot itself, and the execution of it, isn't very fast-paced or interesting. I'm not the biggest Wallace Beery fan, so I probably wasn't the best audience for the film. Keep your eyes open for Marjorie Rambeau, a stereotypical "rotten tramp", and a pre-mustached Clark Gable who shows his energetic screen presence to the audience with a promising future ahead of him.
DLM Warning: If you suffer from vertigo or dizzy spells, like my mom does, this movie might not be your friend. During the driving scenes, the camera bounces around and swerves to mirror the road, and that will make you sick. In other words, "Don't Look, Mom!"