... because the first time around I was somewhat disappointed. This was actually a commercial hit for Tarantino , and that usually means something that is appreciated on the first view.
It is great nonlinear storytelling. You first meet these guys in a diner having breakfast. And you learn lots about their characters just from this very mundane setting and some arguing about the philosophy of tipping. And you wonder why they are wearing suits and thin lapels with white shirts and skinny ties, like they borrowed the Beatles' 1964 wardrobe. It is never explained. And there is all of this 70s music, again, never explained.
Storywise it has been done a hundred times, maybe more. A heist gone wrong. But the gimmick is, you never SEE the heist. Most of the time I like for movie makers to show me not tell me, but this works brilliantly. You see this gang of people who do not know each other talk about the heist beforehand. You see the aftermath of the heist. You see the descriptions of the heist between this band of criminals not exactly matching up. And all of the scenes are mixed up chronologically. Where it shines is the crazy dialogue that happens between these hooligans. Their banter is ludicrous, villainous, and totally engaging. It's like Diner meets Dillinger.
And speaking of Dillinger, a really great touch is having Lawrence Tierney in a supporting role as Joe, mastermind of the heist. Tierney was an actual star of film noirs in the 1940s, and he lost that career because in real life he was somebody who would probably have been quite at home with the characters in this film. He got into lots of bar fights and altercations with the police to the point that no studio wanted to deal with him anymore.
I'd highly recommend this one, but you must pay attention to get the most out of it.
It is great nonlinear storytelling. You first meet these guys in a diner having breakfast. And you learn lots about their characters just from this very mundane setting and some arguing about the philosophy of tipping. And you wonder why they are wearing suits and thin lapels with white shirts and skinny ties, like they borrowed the Beatles' 1964 wardrobe. It is never explained. And there is all of this 70s music, again, never explained.
Storywise it has been done a hundred times, maybe more. A heist gone wrong. But the gimmick is, you never SEE the heist. Most of the time I like for movie makers to show me not tell me, but this works brilliantly. You see this gang of people who do not know each other talk about the heist beforehand. You see the aftermath of the heist. You see the descriptions of the heist between this band of criminals not exactly matching up. And all of the scenes are mixed up chronologically. Where it shines is the crazy dialogue that happens between these hooligans. Their banter is ludicrous, villainous, and totally engaging. It's like Diner meets Dillinger.
And speaking of Dillinger, a really great touch is having Lawrence Tierney in a supporting role as Joe, mastermind of the heist. Tierney was an actual star of film noirs in the 1940s, and he lost that career because in real life he was somebody who would probably have been quite at home with the characters in this film. He got into lots of bar fights and altercations with the police to the point that no studio wanted to deal with him anymore.
I'd highly recommend this one, but you must pay attention to get the most out of it.