Marjoe Gortner and Lynda Carter hook up together and turn to crime with best friends Jesse Vint and Merrie Lynn Ross in this modern-day, dress-down BONNIE AND CLYDE.
It's a thoughtless rehash, but there are some good points, particularly the cinematography, which seems to owe more to Look Magazine than the movies. Gortner comes alive for a moment during a funeral scene, Miss Carter is young a pretty in her reaction shots. Contrariwise, there's a lot of sloppiness in the direction, like kids unconcernedly bicycling in and out of the scene of a gun battle. Overall, it's an odd mix of competence, interesting ideas that don't quite work, and professionalism for the grind house circuit.
It's a thoughtless rehash, but there are some good points, particularly the cinematography, which seems to owe more to Look Magazine than the movies. Gortner comes alive for a moment during a funeral scene, Miss Carter is young a pretty in her reaction shots. Contrariwise, there's a lot of sloppiness in the direction, like kids unconcernedly bicycling in and out of the scene of a gun battle. Overall, it's an odd mix of competence, interesting ideas that don't quite work, and professionalism for the grind house circuit.