In his latest films, Ming-Liang Tsai seems to shed all the superfluous elements. This recovery of the body (the real illness of actor Kang-sheng Lee) and of the spirit (the alienation in the city) is a challenge to the viewer which does not need dialogue to express a certain desolation, which is also a disease of our society. The director makes cinema more pure, but also more difficult to bear.
Review of Days
